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CHILDREN OF THE WIND

A cleverly plotted and deeply moving work that will likely have readers recommending it to their friends.

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  • Kirkus Reviews'
    Best Books Of 2018

In Sundt’s (My Helsingfors: Andreas Larsson Bengstrom, 2014) Depression-era story, an adult orphan takes care of a younger one, and together, they take a trip to delve into their pasts.

Eleven-year-old John Culbertson’s father dies of a heart attack on their bleak farm in southern Illinois. Traumatized, the boy, who’s known as “Cully,” blindly and aimlessly hits the road. Along the way, Gunnar Anderson, known to all simply as “Doc,” stops his car and convinces the lad to come with him. Before long, they’re acting like father and son. Doc is a lonely widower, and Cully fills a void in his heart. Thirty years ago, when he was a child, Doc was sent west on an “orphan train”—part of a movement that aimed to relocate orphans in Eastern cities to Midwestern foster homes—and by hard work, he eventually got a college education and became a veterinarian. He has virtually no memory of his life before he was put on the train. Cully’s mother, Anna, left her husband and son and returned to her Connecticut hometown years ago. Now, she writes a long letter to both of them—not knowing that her husband’s dead. It contains a mysterious reference to the long-ago disappearance of her youngest brother, Augustus Jared. Doc sees Cully’s photo of Anna and begins to fall in love with her—but for various reasons, he soon begins to suspect that he might, in fact, be her long-lost brother. Fatefully, he says to Cully, “I think we need to go find your mother.” They finally track her down, and, of course, the boy is overjoyed at the reunion; meanwhile, Doc wrestles with his feelings while trying to discover the truth about his past.  Sundt is a very impressive writer, and he doesn’t miss a step as he evokes the story’s time and place with vivid descriptions. Doc, in particular, is a wonderful creation who’s worth the price of admission all by himself; his care for Cully is simple and strong, and he also shows deep sensitivity. The book is structured as the two complementary diaries of Doc and Cully, and as a result, the text approaches metafiction at times, as when Doc writes, “There are things that happen beyond all intention and planning….If it were in a book, the reader would scoff at it.” Often, Doc’s and Cully’s entries will observe the same turn of events from their very different perspectives—Doc with maturity, and Cully with precocity. The narrative is bookended by commentaries by Augustus Strong II, Cully’s son, writing in the present day. It’s revealed that Augustus is a veterinarian—just like Doc was. The final mystery involves the Strong family graveyard, but Sundt has Augustus Strong II provide the envoi: “Some mysteries are not meant to be solved.” That said, the climax turns out to be a real shocker, leaving readers to ponder a lack of resolution.

A cleverly plotted and deeply moving work that will likely have readers recommending it to their friends.

Pub Date: Nov. 12, 2012

ISBN: 978-1-4797-4197-7

Page Count: 212

Publisher: Xlibris

Review Posted Online: Aug. 22, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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