A unique voice with a provocative point of view.

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FRESH OFF THE BOAT

A MEMOIR

Up-and-coming celebrity chef Huang serves up a raw memoir recounting his life as an angry young man chafing under generations of stifling Chinese tradition and all-encompassing American "whiteness."

Three things inform the multitalented restaurateur's identity: food, basketball and hip-hop. Although not necessarily in that order, each is infused in virtually every sentence, many of which are laugh-out-loud funny. All three provided the socially conscious author with the succor he needed to make it as an Asian "OutKast" growing up in the Deep South. The son of a former Taiwanese gangster father and a money-obsessed mother, Huang spent his formative years posting up with his style-obsessed buddies and generally bucking authority and the status quo. The author renders his portraits of his many colorful friends and family as vividly and spectacularly as his recipe for beef noodle soup. Huang may have an opinion on everything from religion to RZA, but his deeply contemplative nature deflects any accusations of self-righteousness. His history of violence is more problematic, however. Physical violence both on the streets and inside the home punctuated the author's younger years, and while the latter is thoughtfully unpacked and explored, the former is too often glorified. It could have all easily gone quite differently for Huang. At one point, he was arrested after driving a car into a crowd of threatening rivals and was packed off to Taiwan in order to escape punishment. However, he used the opportunity to reconcile his Asian heritage and focus his unrelenting energy on the things he really wanted out of life. The inspiring result became his trendsetting East Village eatery, Baohaus.

A unique voice with a provocative point of view.

Pub Date: Feb. 5, 2013

ISBN: 978-0-679-64488-0

Page Count: 288

Publisher: Spiegel & Grau

Review Posted Online: Jan. 14, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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