You shouldn’t like this stuff, but it’s such a rush.
A young life of spectacular crime and drugs nearly leads to a life of writing—but merciful fate and powerful addictions intervene.
Interrupting his hell-bent, breakneck narrative from time to time with threats of literary fiction, Little, who introduced Bad Bobbie Prine in his 1998 Another Day in Paradise, keeps threatening to turn Bobbie from a life of very hard drugs, punk rock, and surprisingly successful felonies to a less fevered existence as a writer, but the reader can only pray along with St. Augustine. Not yet. Please. Because when Bobbie does turn peaceable (as did the formerly criminal author), we will stop seeing with blinding clarity inside the smack-riddled mind of a brilliant kid doing everything wrong, which is a rare sight, and see instead inside the mind of a writer, which you can see anytime. Bobbie’s new adventures start up in 1975 in a hellish Indiana youth facility where it takes total concentration to stay alive and in one piece. The politics is racial, of course, and the resentment and hostilities make Bosnia look like summer camp. All Bobbie wants is to escape, which, after a gruesome battle, he does, fleeing with his mates across the Illinois line to hook up with some old criminal chums who have taken up farming and religion. Sort of. When his wounds have recovered and the rural life palls, Bobbie heads for New York to reunite with Sydney, the con artist whose treachery put him in prison after their last job. Syd’s moved up to white-collar crime, and she’s making bundles of money and living the high life. Bobbie, re-addicted to heroin, gets hooked on big money, big sex, and big music. His career path will give him enough polish to pass for civilized and, after some on-the-job training in basic fraud, eventually take him to Boston, where he will meet hard men and a college girl with a nose for literary talent. His graduation to really big crime leads, of course, to really big trouble.
You shouldn’t like this stuff, but it’s such a rush.Pub Date: Nov. 5, 2001
ISBN: 0-312-28291-5
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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