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DOWN BY THE RIVER

Expatriate Irish writer O'Brien (House of Splendid Isolation, 1994, etc.) offers one of the most ferocious indictments of Gaelic life and culture since The Playboy of the Western World. The case several years ago of an Irish girl who was barred by judicial decree from leaving the country to procure an abortion was bound to work its way into fiction, and O'Brien was probably the likeliest to pick it up. She adds a particularly nasty twist to the already-repugnant scenario by making 14-year-old Mary MacNamara not merely the victim of rape but of incest as well, impregnated by her father not long after Mrs. MacNamara's funeral. Ashamed and unwilling to reveal the true circumstances of her case, Mary becomes the pawn in a monstrous political game played out across the pulpits, newsrooms, and Foreign Offices of the British Isles. A kindly neighbor who takes her secretly to London is threatened with arrest and reluctantly brings the girl home, where she is kept virtually imprisoned to prevent her from terminating either her pregnancy or her life. She manages to escape into the hands of the liberals, but they have an agenda of their own, seeing in her the perfect candidate for a Supreme Court case—a case that cannot possibly be settled in time for an abortion. As the wheels of justice grind slowly, Mary becomes increasingly depressed and exhausted. The panorama of characters who wander into and around the controversy—including judges, journalists, schoolgirls, transvestites, and madwomen—give a rich background to the story, but the book's angry impact is diminished through its having been inspired by a case that was dramatic in its own right and through a presentation that is relentlessly partisan. If hard cases make bad law, it must be added that they can make pretty poor literature as well. O'Brien's propagandistic tone and two-dimensional characterizations will bring her few if any new admirers.

Pub Date: May 1, 1997

ISBN: 0-374-14327-7

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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