DOG EAT DOG

A grim '90s noir caper by the celebrated ex-con author of Little Boy Blue (1981), etc. Troy Cameron is a savvy, good-looking sociopath whose career goal is to be an outlaw with a lifetime income. Diesel Cameron, a tight friend he made at reform school, has a wife, a son, and a job with the teamsters that doesn't involve anything more serious than breaking legs and torching the occasional truck. Mad Dog McCain, the faithful companion who once got himself tossed into the hole to save Troy's parole, solves tough problems by killing the people who pose them. When Troy gets sprung from San Quentin, the three of them—their loyalties overriding but not mitigating their wary distrust of each other—team up in hopes of pulling a job that will get them out of the loop for good. It's a pipe dream, of course. Figuring that the best victims are criminals who can't run to the police, Troy and his buddies kidnap a baby druglord and force him to turn over a fat stash to them, as the dialogue bristles and the action crackles with authenticity. But a second kidnapping—snatching a major smuggler's infant as collateral for an uncollectible debt the smuggler owes a trafficker now lording it over a Mexican prison—goes wrong in a horrifyingly funny way, and the three conspirators find themselves on the run, wanted by every cop in California, and predictably at odds with each other. Throughout this brutal catalog of crimes, Bunker has his own axe to grind—the insanity of a three-strikes law that makes any two-time loser willing to kill to avoid being picked up on the smallest felony charge—but what lingers in the memory is the single-mindedness of his doomed hoodlums, who can't focus on anything but survival, revenge, and the big score. A jolt of frozen adrenaline, relieved only by the walk-ons of the latest accomplices and victims.

Pub Date: Aug. 13, 1996

ISBN: 0-312-14314-1

Page Count: 240

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 1996

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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