by Edward Jay Epstein ‧ RELEASE DATE: Oct. 1, 1996
A revealingly revisionist biography of Armand Hammer who, before his death at 92 in 1990, had made a considerable name for himself as an industrialist, patron of the arts, philanthropist, and unofficial envoy to Communist seats of government. Drawing on a wealth of previously classified material from KGB files and other sources, Epstein (Deception, 1989, etc.) documents the substantive disparities between reality and his subject's carefully cultivated public image. While sojourning in the USSR during the early 1920s, the Bronx-born Hammer met Lenin and became a Comintern agent responsible for laundering the money used to pay undercover operatives in North America. Returning to the US during the Depression, the would-be magnate did not strike it rich until 1956, when he used his third wife's money to latch on to Occidental Petroleum, which, with a little luck and a lot of bribes, he turned into a transnational energy colossus. Taking advantage of auld acquaintance with long-dead Red luminaries, he also became a vocal advocate of unrestricted East/West trade during the height of the Cold War. A gifted and tireless self-promoter, Hammer was a gleeful forger as well; with the connivance of his Kremlin accomplices, he flooded the global art market with fake FabergÇ objets. While shamelessly lobbying for a Nobel Peace Prize in his twilight years, moreover, he picked up a conviction for violations of US election law. In addition he faced constant accuations of wrongdoing by the FBI, IRS, SEC, State Department, and other federal agencies. Nor, by Epstein's tellingly detailed account, was the high-profile Hammer a much better bargain for members of his extended family, friends, and business associates (whose tenure seldom outlasted their usefulness) or Occidental's stockholders. A dirt-dishing, painstakingly corroborated life story that sets the record straight on a master con man who fooled most of the people most of the time. (16 pages b&w photos, not seen)
Pub Date: Oct. 1, 1996
ISBN: 0-679-44802-0
Page Count: 448
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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