by Edward Wilson ‧ RELEASE DATE: N/A
An absorbing, dialogue-driven account of a struggle to deal with unresolved traumas.
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Wilson, a therapist, offers a memoir with fictional elements that details one family’s experience with emotional abuse.
The failure to confront an abusive past often takes a fearsome toll, as the author emphasizes in this account of his efforts to rebuild a relationship with his estranged daughter, Josie. She emerges in Wilson’s book as a victim of extreme emotional trauma, inflicted by three women: the author’s mother, her adoptive mother, “and another ex-wife of mine,” he observes, also noting that “Josie has, mostly unwittingly, replicated my mother’s and my ex-wives’ legacy of lies, slander, shunning, extortion and manipulation.” The end result is a story of misery, leading to a string of broken relationships with family members. It’s a psychic morass that the author feels powerless to resolve, and would rather avoid, until one of his granddaughters, Amanda, unexpectedly knocks on his door, seeking answers of her own. (Although the events in this book are real, Wilson asserts in a foreword that “the interactions with my interrogator are fictional, though I wish otherwise.”) A series of these sessions forms the essential core of the book, which finds the author falling back on his therapeutic experience. Doing so forces him to confront his own personal and parental failures, even as he wonders to his wife, Judy, if Amanda is “prepared for the shit storm she’s unleashing on herself, her sister and father.” It’s the sort of observation that only intra-familial manipulation and coercion breed, and the author coins a bittersweet twist on an old aphorism: “Fool or abuse me once, shame on you. Do it 1,743 times, shame on me.”
Even the simplest details aren’t free of pain, as Wilson recounts, explaining the ironies behind his choice of Josie’s name, inspired by a song that predated her birth (“Josie I won’t fail you, I won’t fail you”). One of the most wrenching moments occurs on a road trip with her, celebrating a potential career-boosting fellowship for the author. But what seems like an ideal bonding moment comes undone amid a helpless realization that he lacks the skill set to grow meaningfully closer to Josie: “For the first time I realized I hadn’t learned a single parenting skill from my parents. That’s a harsh discovery.” The realization unfolds, Socratic-style, via the extended dialogues between author and granddaughter as they try to gauge the toll that events have taken on their lives. It’s the type of storytelling that requires keen attention, and all the back-and-forth, at times, can be heavy going, but the book also has some succinct yet chillingly eloquent passages (“My mother abused her father continuously by the simple process of rendering him invisible”). More of these moments would have been welcome, but many readers will have experienced similar emotional challenges to those chronicled here, as the author attests: “Unhappily unaddressed trauma does not go away, it merely gets handed down.” This book offers a hopeful reminder of the truism about a past that can’t change, and a future that’s always unwritten.
An absorbing, dialogue-driven account of a struggle to deal with unresolved traumas.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: May 4, 2026
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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