The author has plenty of fun with the visiting heroines, and Penny’s stay in the mental institution is certainly scary, but...
An imaginative, if uneven, debut novel about 13-year-old Penny Entwhistle and the literary heroines that recuperate at her mother’s bed-and-breakfast.
While the Watergate scandal dominates the nightly news, the more pressing concern for Penny is ousting melodramatic Deirdre, a heroine in Irish mythology, from the house, sending her back to whatever overwrought story she came from. Fantastical intrusions on reality have been part of Penny’s life since birth (in fact, the mystery of her paternity may have more to do with the appearance of the heroines, and occasional hero, than her mother has ever let on), and over the years she has come to expect houseguests with far more serious problems than the average traveler. Emma Bovary, Franny Glass, Scarlett O’Hara, Daisy Buchanan—they all come when things get a bit too harried in their fictional lives and need a break from their own plots. The mechanics of this phenomenon are dealt with early in the novel—it’s a mystery, plain and simple. But now Penny’s getting sick of all the activity, and she wants a little attention for herself. In the woods one evening she meets Celtic King Duncan, looking for Deirdre, and Penny promises to lure Deidre into the woods for him to take back to ancient Ireland. When Penny returns home, the police are there and soon Penny is locked up in the loony bin. Betrayed by her mother (she’s afraid Duncan will hurt Penny), woozy on meds and longing for a more normal life, Penny begins to question her own sanity and everything she’s known to be true. Her only plan is to bet on the impossible—she gets a message out to Duncan and hopes he and his trusty steed can break her out of the asylum.
The author has plenty of fun with the visiting heroines, and Penny’s stay in the mental institution is certainly scary, but the literary and real worlds are disconnected, negating the existential promise of the plot.Pub Date: Jan. 1, 2008
ISBN: 978-1-4165-4810-2
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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