A strong coming-of-age story from an exotic land.

AMAZONS

A LOVE STORY

In a beautifully written memoir looking back after years spent in Brazil, a woman explores both her own coming of age and the ecology of the rain forest.

Levy, a relatively sheltered 21-year-old, leaves her studies at Yale for a Rotary Club fellowship in Bahia, in northern Brazil, although she intends to spend as little time there as possible before heading for the Amazon. Further isolated by her less-than-stellar Portuguese, she finds herself spending months in the city of Salvador, where trouble greets her: In one of several melodramatic episodes that occasionally mar an otherwise polished narrative, she’s robbed and then poisoned. Eventually, she meets three women who will be her closest friends: Barbara, a sophisticated American who introduces her to capoeira, a Brazilian martial art; and Isa and Nelci, roommates who illustrate what it means to be a true Bahian. Finally reaching the Amazon, Levy tags along with and attempts to please the researchers she originally hoped to work with; she’d soon like to have a project of her own. Amid flashes forward to the person she eventually becomes, she looks back in disdain at her younger self, although the self-loathing is at last eased when she accepts herself as an intelligent, forthright lesbian who has much more to offer than she ever thought possible. Levy’s time in the rain forest covers only about a third of the book, and her 15 “Amazon Snapshots” will be of particular importance for anyone interested in the work of the National Institute for Amazonian Research. However, readers searching for the love story of the subtitle may be less satisfied. Levy seems too wrapped up in worrying about doing the right thing and being the right person to truly love someone or anything. Yet her self-involvement makes for a compelling feminist narrative about personal exploration, especially since she’s such a talented writer.

A strong coming-of-age story from an exotic land.

Pub Date: June 25, 2012

ISBN: 978-0826219756

Page Count: 200

Publisher: Univ. of Missouri

Review Posted Online: Sept. 5, 2012

Kirkus Reviews Issue: Oct. 15, 2012

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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