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THE WAYS OF WOMEN

A dramatic story of Ireland in revolt in the years after WW I that should appeal to fans of Maeve Binchy's intimate portrait of Irish village life and plucky Irishwomen. Julia Mangan and Sarah Quinlan are best friends in a poor Dublin neighborhood during the troubled 20's, when the IRA is beginning to agitate and the Anglo-Irish gentry inhabiting the big houses are feeling threatened after centuries of unquestioned privilege. Julia marries Jack Harte, newly home from the war, and is blissfully happy, living with her beloved husband among friends on the street where she grew up. Soon she has a baby, Ellie. But Sarah longs for grander things. Filled with her mother's tales of the years she spent as maid to Lady Glenivy of Glenivy Manor, Sarah takes a position as a servant there, only to find her position humiliating and prospectless. Things seem to take a turn for the better, however, when young Patrick Glenivy begins to visit her bedroom at night. In only a month Sarah is pregnant, cast off by Patrick, and banished from Glenivy. Quickly she takes up with her old Dublin boyfriend and makes him believe the baby she's carrying is his; they marry and she plots other ways to achieve her dreams of grandeur. With cold malice, she leaks false information to those who will pay for it that her friend Julia's husband, Jack, has been sheltering IRA fugitives; Jack is taken to the mountain by British thugs and shot. Years later, Patrick, the illegitimate son of Sarah and the young master of Glenivy, and Julia's daughter Ellie fall in love, opening the wound in Julia's heart that time has never fully healed. Julia must choose between cutting off her beloved daughter or accepting as her son-in-law the child of her husband's betrayers. Marred by a few improbable coincidences, but, still, an absorbing tale with the unique lilt and expansiveness of Irish storytelling.

Pub Date: Dec. 15, 1993

ISBN: 1-85797-014-4

Page Count: 408

Publisher: Orion/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1993

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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