ICE-CREAM CONES FOR SALE!

As irresistible as its subject, Greenstein’s jaunty text and marvelous pictures are also an object lesson in the joys and perils of research. On April 30, 1904, the world’s fair opened in St. Louis, Missouri. We know that people ate ice cream cones there, because there are photographs. But who invented the ice cream cone? Was it Arnold Fournachou, who asked Ernest Hamwi at the waffle stand to make waffles that he could roll and put his ice cream in? Or was it Charles Menches, whose lady friend wrapped the top of her ice cream sandwich around the flowers he gave her, and rolled the bottom into a cone to hold the ice cream? Greenstein merrily shoots down all five candidates, because Italo Marchiony came to New York in 1895 with his grandmother’s recipe for ice cream, and by December 1903—before the fair opened—patented a device to make ten cookie-cone molds at once. The pictures—monoprints overpainted with gouache—are in pastel ice cream colors and sugar cone textures. As delicious as the story. (author’s note, bibliography) (Picture book. 4-8)

Pub Date: June 1, 2003

ISBN: 0-439-32728-8

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2003

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Lovely illustrations wasted on this misguided project.

LUNAR NEW YEAR

From the Celebrate the World series

The Celebrate the World series spotlights Lunar New Year.

This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.

Lovely illustrations wasted on this misguided project. (Board book. 4-8)

Pub Date: Dec. 11, 2018

ISBN: 978-1-5344-3303-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 5, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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A lovely 20th-anniversary tribute to the towers and all who perished—and survived.

SURVIVOR TREE

A remarkable tree stands where the twin towers of the World Trade Center once soared.

Through simple, tender text, readers learn the life-affirming story of a Callery pear tree that grew and today still flourishes “at the foot of the towers.” The author eloquently describes the pre-9/11 life of the “Survivor Tree” and its heartening, nearly decadelong journey to renewal following its recovery from the wreckage of the towers’ destruction. By tracking the tree’s journey through the natural cycle of seasonal changes and colors after it was found beneath “the blackened remains,” she tells how, after replanting and with loving care (at a nursery in the Bronx), the tree managed miraculously to flourish again. Retransplanted at the Sept. 11 memorial, it valiantly stands today, a symbol of new life and resilience. Hazy, delicate watercolor-and–colored pencil artwork powerfully traces the tree’s existence before and after the towers’ collapse; early pages include several snapshotlike insets capturing people enjoying the outdoors through the seasons. Scenes depicting the towers’ ruins are aptly somber yet hopeful, as they show the crushed tree still defiantly alive. The vivid changes that new seasons introduce are lovingly presented, reminding readers that life unceasingly renews itself. Many paintings are cast in a rosy glow, symbolizing that even the worst disasters can bring forth hope. People depicted are racially diverse. Backmatter material includes additional facts about the tree.

A lovely 20th-anniversary tribute to the towers and all who perished—and survived. (author's note, artist's note) (Informational picture book. 5-8)

Pub Date: Aug. 31, 2021

ISBN: 978-0-316-48767-2

Page Count: 48

Publisher: Little, Brown

Review Posted Online: June 2, 2021

Kirkus Reviews Issue: June 15, 2021

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