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ACROSS THE MEKONG RIVER

A multifaceted tale of complex characters finding new lives in their new world.

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Ravaged by the Vietnam War, a culturally ingrained family from Laos leaves everything behind to pursue a dangerous journey across the Mekong River leading them from Thailand to the United States in Russell’s novel.

Violence interrupts the lush Laotian landscape: Bullets spray from the rifles of Communist soldiers, while indifferent American helicopters unleash bombs from above. A family makes the harrowing, death-defying struggle to elude patrolling soldiers and cross the Mekong River into Thailand. Nou, who later goes by Laura, recalls that half her family, including her two older brothers, perished during the escape. She was a mere child at the time, but the devastating effects of the loss lingered in her mother Yer’s fluctuating states of depression. Interestingly, Russell changes perspective throughout the story, including but not limited to Nou, Yer and Pao, the father. As each character’s internal conflicts unfold, his or her unique voice sheds light on the different aspects of Hmong culture while Nou’s family survives in the hope that the war will soon be over. After three years, Pao takes the search for a better life to America: Minneapolis, Minn. Shifting from Hmong culture to American, the family finds a stark contrast in lifestyle. Here, other ethnic groups are quick to blame the Asians for the Vietnam War and the ensuing loss of American soldiers. In school, Nou becomes the perfect target for teasing, while her childhood is spent playing the “adult” as her mother drifts deeper into depression. The novel takes another twist (thankfully the plot’s expansiveness is seamless) when the family moves to Sacramento, where Russell aptly integrates the culture clash as Nou changes her name to Laura and begins to see a life outside of Hmong cultural traditions of early, arranged marriage and many children. While her father is immersed in his farming business and her mother is intent on marrying her off to Dang—a respectable Hmong man—Laura dares to tread the boundaries of the Hmong culture, hoping that she will be able to pursue a career rather than marrying at a young age. The family’s richly drawn tension culminates in a grueling court case that affects all involved. Laura must decide if she is willing to sacrifice Hmong traditions in order to live the life she desires.

A multifaceted tale of complex characters finding new lives in their new world.

Pub Date: Aug. 6, 2012

ISBN: 978-1466338104

Page Count: 278

Publisher: CreateSpace

Review Posted Online: Feb. 17, 2012

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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