A royal tale enlivened by imaginative drama but burdened with excessive religiosity.
A historical novel based on the life and marriage of an uncrowned queen of England, Scotland, and Ireland during the 17th century.
Henriette-Marie, the youngest child of King Henri IV of France and his queen, Marie de Médicis, is just 15 when she marries King Charles I of England in 1625—just a month after he assumes the English throne following the death of King James. It’s taken a year of political negotiations with various royals and the Vatican to get a papal dispensation for a union between the Catholic princess and the Anglican king; however, as a Catholic, she’ll never have a coronation. Still, Henriette-Marie, who’s also known as “Henrietta Maria,” declares her advantages with considerable merriment: “I had many offers for my hand, since my dowry was generous. Moreover, I was comely, as princesses go, and it was known that I had a straight back, all my teeth, clear skin and was a nimble dancer.” With naïve romantic idealism and a conviction that she’ll eventually convert her husband and offer protection to persecuted Catholics, she sets sail for her new home across the English Channel. Vidal’s expansive tale—the first installment of a projected three-volume series devoted to the life of Henriette-Marie—offers palace intrigue, international conflict, and personal turmoil. But at its heart, it’s a poignant and often charming love story. The author’s extensive research has resulted in pages that brim with vivid descriptions of all things royal, including wardrobe minutiae, architecture, interior palace décor, and an abundance of servants—some who are devoutly loyal, others decidedly less so. The warmongering Duke of Buckingham, an influential favorite of the king, serves ably as the novel’s villain, as he poses threats to the kingdom as a whole and to the royal marriage in particular. However, the narrative pace slows considerably each time Vidal dwells on the young queen’s repetitious religious devotionals, complete with liturgical passages. It’s also quite challenging to keep track of the names, nicknames, and changing titles of the numerous secondary characters. Nonetheless, a final surprise should leave many readers smiling.
A royal tale enlivened by imaginative drama but burdened with excessive religiosity.Pub Date: Nov. 25, 2021
ISBN: 979-8756784169
Page Count: 287
Publisher: Mayapple Books
Review Posted Online: Jan. 4, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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