Gage beautifully describes the waters that evoke the transformative moments of Maya’s journey. Yet Parvati, the...

OTHER WATERS

Can goddesses walk among us? Can an entire family really be cursed? Can a modern woman find her inner goddess?

In her debut novel (following her 2005 memoir North of Ithaka), Gage tells the tale of Maya Das. She has it all: a promising career in psychiatry, a family chock-full of successful physicians, a supportive best friend and a loving boyfriend. So why can't she manage to introduce her white boyfriend, Scott, to her Indian family? With her best friend, Heidi, and her residency-required therapist urging her to commit to her relationship and introduce him to the family, Maya is poised to assert her own independence. Yet the death of Dadiji, Maya's grandmother, far away in India, sets in motion not only some soul-searching but also a possible family curse. As a child visiting India, Maya had witnessed a father beating his daughter, dressed as a goddess and forced to beg on the streets. Maya begged her grandmother to intervene with the surprising result that the young girl was brought into Dadiji's home. Raised as a sort of servant slash inferior daughter, Parvati makes Maya and her older sister, Priya, uncomfortable. Indeed, Maya continues to wonder well into adulthood whether Parvati might actually be a goddess or have supernatural powers. Of course these wonderings conflict with her modern medical training, not to mention her family's practical approach to life. So when Maya's father discreetly calls to tell her Parvati has cursed the family, Maya is both dismissive and afraid. After her father's heart attack, her mother's hemorrhage, her sister's miscarriage, her brother's marital strife and her own personal and professional difficulties, however, Maya begins to take the curse much more seriously. A quest to India is in order. The journey offers Maya the chance not only to lift the family curse but also to assess her life, particularly her relationship with Scott and her own attitude towards her ethnicity.

Gage beautifully describes the waters that evoke the transformative moments of Maya’s journey. Yet Parvati, the curse-caster, remains mysteriously underdeveloped. A lovely read, but a missed opportunity to delve deeply into the superstitions that still lurk in our modern minds.

Pub Date: Feb. 14, 2012

ISBN: 978-0-312-65851-9

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Jan. 5, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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