Both sides of the race issue get a fair hearing in this well-executed tale.
A psychological novel focuses on issues of race, personal responsibility, and privilege at a California liberal arts college.
College student Evelyn Davis is dealing with a stalker. Trouble is, no seems to know what to do about him. Eddie Pike, an Afghanistan War veteran, is an older White student. He maintains he means Evelyn no harm, but it’s obvious his personal problems exceed the services that the college’s counseling clinic offers. A sophisticated African American woman, Evelyn knows how to navigate both the Black and White worlds, “having been brought up in a well-to-do white neighborhood.” Professor Billie Ochoa teaches a class Eddie and Evelyn share. Billie is enamored of her Cuban heritage and Fidel Castro’s island paradise. As a conscientious educator, she tutors Eddie alone so he can continue with the class while Evelyn stays safe. But the unwanted intrusions mount, from Eddie’s following Evelyn to his sneaking into her apartment. Campus police tiptoe around the problem because they say they can’t prove Eddie committed a crime. Evelyn is leery of the authorities, and soon the issues of race and administrative action boil over. Billie is exasperated, venting to a college official: “A young African-American woman who’s being stalked? Doesn’t that distress you? Just a bit? That it’s the white men you’re always protecting?” The administration reaches out to Eddie, but when a restraining order is issued, word gets out that he is a stalker, and he becomes the object of student protests. In this engaging tale, Axelroth is fair to all the characters and allows Evelyn and others to see both sides of the complicated race issue. At times, Evelyn feels discomfort at being “a stand-in for whatever Black people thought—about police shooting unarmed Black men, and looting in Black neighborhoods, and isn’t affirmative action just reverse discrimination?” Personal responsibility becomes an issue when Billie lies and tells the authorities Eddie threatened Evelyn and when an administration member attempts to use the tumultuous campus situation to benefit her own agenda. This is set against secondary themes of the Cuban revolution, communism, and how sometimes the ends justify the means, which all get a rousing pro and con analysis in an academic hothouse of impassioned young thinkers.
Both sides of the race issue get a fair hearing in this well-executed tale.Pub Date: Nov. 14, 2021
ISBN: 978-1-79481-618-3
Page Count: 286
Publisher: Lulu.com
Review Posted Online: Jan. 19, 2022
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.
A middle-aged woman channels her best Miss Marple when she finds herself facing a nightmare from her past as she seeks to make sense of her present.
Jane Trevally is at a crossroads of sorts. After a traumatic childhood, she sought safety and solace in marriages with wealthy men. Now twice divorced and living with her four dogs in the crumbling English country mansion that is her birthright, she’s feeling the need to do something, to take a job, when one day a runaway dog turns up on her doorstep. The dog is chipped, and with the help of a local vet and her loyal stepson, Dexter Lombardi, Jane traces the dog’s home to the edge of Hampstead Heath, in London—a place that brings back the memory of a terrifying night from her youth, when a handsome man picked her up and took her back to this very house. Everything there felt wrong; she just managed to escape, certain that if she had stayed, she would have died that night. Now, soon after knocking on the door and returning the dog, she discovers that he had run away from an Airbnb near her house, where he had been staying with a young woman who seems to have disappeared. With the help of Dexter; his father, Tony, her second ex-husband; Tony’s former security enforcer, Tobias Wilson; and her own gift for connecting with people, Jane sets out to find the woman, taking her first steps on the path to becoming a private investigator. While Jane serves as the heart of the novel, Jewell also narrates chapters from several other characters’ points of view, all of which chip away at the horror that is the house on the Heath. By slowly revealing past and present simultaneously, Jewell keeps the mystery fresh as she plays with Gothic tropes and the timeless imagery of “a house of horrors” embodying human sin. She doesn’t flinch from exploring the depths of depravity in this house—and its humans.
A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.Pub Date: June 23, 2026
ISBN: 9781668033906
Page Count: 384
Publisher: Atria
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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