A wedding readers won't be able to resist crashing.
Hilderbrand’s surprisingly original take on the wedding disaster novel.
A wedding weekend is a time-honored literary pretext for exploring family dysfunction, and Hilderbrand’s version combines gentle irony with astute observation. The Carmichael family has vacationed at their rambling summer abode on Nantucket Island for almost a century. Now, the house will be the site of high-profile divorce attorney Doug Carmichael’s youngest daughter Jenna’s nuptials. "The Notebook," left by Jenna’s mother, Beth, who died of cancer six years ago, has planned the wedding down to the last detail. The weekend, which will include a rehearsal dinner, Saturday ceremony and reception, and Sunday brunch, has drawn the Carmichaels and their entourage into the ideal arena for emotional fireworks. Doug’s 40-year-old daughter, executive recruiter Margot, hopelessly enamored with her father’s rakish older law partner, Edge (one of many nicknames right out of the preppy handbook), regrets her one ethical lapse at her lover's behest, involving a more age-appropriate romantic prospect, Griff. Doug, who married second wife Pauline too soon after Beth’s passing, now contemplates divorce. Pauline, sensing Doug’s withdrawal, hopes that her daughter Rhonda’s service as a bridesmaid will finally earn her genuine entry into the Carmichael clan. Ann, the groom’s mother, a consummate politician, has miscalculated the personal toll of asking statuesque blonde Helen, her husband’s former mistress and mother of his love child, Chance, to the wedding. Crises small and large loom: Edge, though not married, refuses to make his and Margot’s relationship public; a historic tree named Alfie must be pruned to accommodate the wedding tent; Chance suffers a severe allergic reaction to mussels; Doug’s son Nick appears to be involved with a married bridesmaid. The populous cast makes establishing a coherent throughline difficult, and the first 200 pages are mainly prologue. But Hilderbrand’s casually tossed-off zingers, and her gift for eliciting sympathy for even the most insufferable of her characters, keep the pages turning until the disaster unfolds in earnest.
A wedding readers won't be able to resist crashing.Pub Date: June 25, 2013
ISBN: 978-0-316-09978-3
Page Count: 416
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: April 26, 2013
Kirkus Reviews Issue: June 1, 2013
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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