Sink into this book like a hot, scented bath...a delicious, relaxing pleasure. And a clever whodunit at the same time.
A wedding on Nantucket is canceled when the bride finds her maid of honor floating facedown in the Atlantic on the morning of the big day.
One of the supporting characters in Hilderbrand's (Winter Solstice, 2017, etc.) 21st Nantucket novel is Greer Garrison, the mother of the groom and a well-known novelist. Unfortunately, in addition to all the other hell about to break loose in Greer's life, she's gone off her game. Early in the book, a disappointed reader wonders if "the esteemed mystery writer, who is always named in the same breath as Sue Grafton and Louise Penny, is coasting now, in her middle age." In fact, Greer's latest manuscript is about to be rejected and sent back for a complete rewrite, with a deadline of two weeks. But wanna know who's most definitely not coasting? Elin Hilderbrand. Readers can open her latest with complete confidence that it will deliver everything we expect: terrific clothes and food, smart humor, fun plot, Nantucket atmosphere, connections to the characters of preceding novels, and warmth in relationships evoked so beautifully it gets you right there. Example: a tiny moment between the chief of police and his wife. It's very late in the book, and he still hasn't figured out what the hell happened to poor Merritt Monaco, the Instagram influencer and publicist for the Wildlife Conservation Society. Even though it's dinner time, he has to leave the "cold blue cans of Cisco beer in his fridge” and get back to work. " ‘I hate murder investigations,’ [his wife] says, lifting her face for a kiss. ‘But I love you.’ " You will feel that just as powerfully as you believe that Celeste Otis, the bride-to-be, would rather be anywhere on Earth than on the beautiful isle of Nantucket, marrying the handsome, kind, and utterly smitten Benji Winbury. In fact, she had a fully packed bag with her at the crack of dawn when she found her best friend's body.
Sink into this book like a hot, scented bath...a delicious, relaxing pleasure. And a clever whodunit at the same time.Pub Date: June 19, 2018
ISBN: 978-0-316-37526-9
Page Count: 464
Publisher: Little, Brown
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.
A sprawling story about two sisters growing up, apart, and back together.
Jo and Bethie Kaufman may be sisters, but they don’t have much else in common. As young girls in the 1950s, Jo is a tomboy who’s uninterested in clothes while Bethie is the “pretty one” who loves to dress up. When their father dies unexpectedly, the Kaufman daughters and their mother, Sarah, suddenly have to learn how to take care of themselves at a time when women have few options. Jo, who realizes early on that she’s attracted to girls, knows that it will be difficult for her to ever truly be herself in a world that doesn’t understand her. Meanwhile, Bethie struggles with her appearance, using food to handle her difficult emotions. The names Jo and Beth aren’t all that Weiner (Hungry Heart, 2016, etc.) borrows from Little Women; she also uses a similar episodic structure to showcase important moments of the sisters’ lives as she follows them from girlhood to old age. They experience the civil rights movement, protests, sexual assault, drugs, sex, and marriage, all while dealing with their own personal demons. Although men are present in both women's lives, female relationships take center stage. Jo and Bethie are defined not by their relationships with husbands or boyfriends, but by their complex and challenging relationships with their mother, daughters, friends, lovers, and, ultimately, each other. Weiner resists giving either sister an easy, tidy ending; their sorrows are the kind that many women, especially those of their generation, have had to face. The story ends as Hillary Clinton runs for president, a poignant reminder of both the strides women have made since the 1950s and the barriers that still hold them back.
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.Pub Date: June 11, 2019
ISBN: 978-1-5011-3348-0
Page Count: 480
Publisher: Atria
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Even your most extravagant speculations about what’s really going on with these wildly contrasting yet oddly simpatico...
From the hospital rooms and living spaces of Lagos, Nigeria, comes a dryly funny and wickedly crafty exercise in psychological suspense.
Introverted, sensitive Korede is a nurse, a very good one from what we see of her at work. She feels such a connection with her patients that she finds herself taking a coma victim named Muhtar into her confidence. There’s one secret in particular that pours out of Korede like scalding liquid: Her flamboyantly beautiful younger sister, Ayoola, has this habit of killing the men she dates. (Three, so far.) She hasn’t been caught yet because Korede cleans up after her. They both disposed of the most recent victim, a poet named Femi, so efficiently that nobody in his family or with the police know his whereabouts. So that, as Korede is concerned, is that; except there’s this single good-looking doctor named Tade at the hospital where she works who has his eye on Ayoola—even though Korede has tried her best to win Tade’s attention. Now she tries to warn Tade that her sister’s relationships “tend to end, badly." His response: “Oh…guys can be jerks.” (Yes, they certainly can.) As Tade and Ayoola begin their romance, Korede’s the one who has to answer questions about Femi’s disappearance, and, seemingly out of nowhere, Ayoola acquires yet another suitor named Gboyega, prompting both Korede and the reader to wonder which of these unwary gentlemen Ayoola will favor and what will happen to him. Generations of gothic mystery aficionados have attended these uneasy and insidious events before. But besides the setting, what makes Braithwaite’s first novel stand out from others in this genre is the unobtrusively sly approach she takes to the conventions of “black widow” storytelling and the appealing deadpan voice of the jittery yet world-weary Korede. Along the way, there are scattered glimpses of life in Lagos, most acidly when Korede deals with the routine corruption involved in a traffic stop.
Even your most extravagant speculations about what’s really going on with these wildly contrasting yet oddly simpatico siblings will be trumped in this skillful, sardonic debut.Pub Date: Nov. 20, 2018
ISBN: 978-0-385-54423-8
Page Count: 240
Publisher: Doubleday
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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