Clever, original, and unabashedly silly fun.

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THE GLITCH

A disturbingly ambitious woman finds herself challenged by mysterious crises—both personal and professional—in Cohen’s painfully funny satire of the tech industry.

In Shelley Stone, Cohen has created an aggressively unlikable yet captivating and entertaining heroine. Twenty years ago, as a directionless 20-year-old, Shelley was struck by lightning, a trauma for which she claims to be grateful despite the physical pain it inflicted. She doesn’t care that the lightning shriveled her pleasure receptor or that she now scores low on the likability scale. What matters is that the lightning strike changed her brain in ways that made her into the driven woman she’s become. Shelley is married and has two children—readers will concur with her amazement at having attracted financial-analyst husband Rafe, who goes along with her scheduled 12 minutes of daily sex even though his own pleasure principle remains intact—but she's primarily committed to her role as CEO of Conch, a company producing personal data repositories shaped like shells and worn behind users’ ears. On a family vacation in France, Shelley’s 4-year-old daughter, Nova, disappears while Shelley and Rafe are distracted by work calls; more disturbing, both parents continue their calls while searching for her. Fortunately, a stranger finds Nova, a stranger who somehow has Shelley’s cellphone number and seems oddly excited to meet her when returning the child. Within weeks, Shelley meets another stranger: Michelle looks like a younger version of Shelley herself, down to the same scar on her arm, and has experienced the same childhood. Is a pre-lightning strike, alternate self possible? Or is Shelley having a nervous breakdown? Shelley is rattled but cynical enough to have her doubts. Meanwhile Conch suddenly faces serious quality control issues that she must solve to save her job. And then there’s Rafe’s plan to move with the kids to Brazil, with or without Shelley.

Clever, original, and unabashedly silly fun.

Pub Date: May 22, 2018

ISBN: 978-0-385-54278-4

Page Count: 368

Publisher: Doubleday

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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