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THE TRUE AND OUTSTANDING ADVENTURES OF THE HUNT SISTERS

“You’ll laugh, you’ll cry”: Robinson is enormously skilled at pushing the emotional buttons, but an aftertaste of...

It’s bright, it’s clever, and it’s going to be a major hit: a smashing success with the press and the public.

Movie producer Robinson’s semi-autobiographical debut about a Hollywood movie producer whose sister Ohio gets leukemia is already garnering press as the women’s tearjerker of 2004. And understandably so. Olivia, 34, is struggling unsuccessfully to produce a film adaptation of Don Quixote and contemplating the happier aspects of suicide when she receives word that her younger, newly married sister Maddie has been diagnosed with leukemia. Through Olivia’s letters—to her parents; best friend Tina and her ex- but still-loved boyfriend Michael; even to big-name Hollywood celebrities she wants involved in her film—we follow the ups and downs of Maddie’s illness as well as the ups and downs of Olivia’s career and love-life. The very studio that fired Olivia only a short time earlier agrees to produce Quixote, and Olivia’s movie ambitions take off. From Hollywood and from locations in Europe, she travels back and forth to Shawnee Falls to be with her family, and the contrasts and connections between the two worlds lie at the novel’s heart. In Ohio, Olivia witnesses her reticent mother and alcoholic father’s long marriage in a new light. Maddie herself is down-to-earth and spunky throughout her treatments, side-effects, false hope of remissions, and ultimate downward spiral. Her religious husband is a rock. Michael, a painter who is handsome and wonderful but wants her to live with him in New Mexico, visits and beckons Olivia back, but her ambition resists. Meanwhile, Hollywood politics turn ugly, but despite a slight bout of craziness when she steals the car of her nemesis and drives it into the ocean, Olivia perseveres. She hires a new, handsome director. Don Quixote, starring Robin Williams (bound to make a cameo in the film adaptation) opens to good reviews if not great numbers. Maddie dies gracefully, leaving behind a legacy of love.

“You’ll laugh, you’ll cry”: Robinson is enormously skilled at pushing the emotional buttons, but an aftertaste of manipulation lingers. There’s also something self-serving about the writing, something frankly very Hollywood about it. But will it sell? Is there balm in Gilead?

Pub Date: Jan. 7, 2004

ISBN: 0-316-73502-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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