This book has the effect of three Bloody Marys at brunch: it’ll leave you flushed, giddy, and prepared to embrace your wild...
Lily Wilder is getting married in six days to a man who really lights her fire, but she still has one big decision to make: does she actually want to get married?
Lily is a lawyer who loves her job, enough to be excited about working a huge environmental case the week of her wedding in Key West. But prepping a witness is only one of many distractions keeping Lily from figuring out her true feelings: “Do I want to call this off?...Do I love Will?” Is she capable of being faithful, and does she even want to be? Will is a sexy nerd who speaks multiple languages and works as a curator at the Met in New York. He’s essentially perfect. But as Lily’s mom reminds her, “You’re such a…a free spirit!” That’s putting it mildly. Lily’s comfortable downing vodka for breakfast. She gives her wedding planner—who is a special kind of kooky—hell just for her own amusement. And she’ll find a hot stranger to make out with within five minutes of being left alone. But, despite a difficult past and the judgment of her peers, she likes who she is. There are plenty of examples—say, The Good Wife or Susan Rieger’s The Divorce Papers—of female lawyers forging their own paths, but in Kennedy’s debut, career takes a back seat to exploring the benefits of an unconventional love life. At times, Lily’s carefree attitude goes from endearing to preachy: “there's not always some ulterior motive....Sometimes, we just want sex.” In this whirlwind story, which reads not unlike a quickie engagement, the ultimate question is whether one can be both promiscuous and in love. Lily, basking in the glow of Key West’s free-love attitude, is guided toward yes.
This book has the effect of three Bloody Marys at brunch: it’ll leave you flushed, giddy, and prepared to embrace your wild side.Pub Date: May 5, 2015
ISBN: 978-0-553-41782-1
Page Count: 320
Publisher: Crown
Review Posted Online: March 4, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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