Neither insipid nor mawkish but definitely phoned-in.

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Widow discovers an $850,000 crack in her nest egg in Berg’s latest (The Day I Ate Whatever I Wanted, 2008, etc.).

Helen, a bestselling author living in Chicago, is experiencing writer’s block for the first time in her life. And no wonder: Her husband Dan died of a heart attack at the breakfast table. Her elderly father has cancer. Phobic about money matters, she’s been dodging increasingly frantic calls from her accountant, Steve, and has toyed with taking holiday employment at Anthropologie, even going so far as to interview. A library program director is hounding her to teach a writer’s workshop. Toxic fan mail from wannabe writer Margot attacks Helen’s body of work as “insipid,” “mawkish” and an insult to literature. When Steve finally reaches Helen it’s to ask if she has any idea what her husband did with the 850 large he withdrew from the couple’s retirement account before his death. Helen had preferred to let Dan handle all the finances, but she had no reason not to trust him. After some promising setups (At 59, would Helen be Anthropologie’s oldest cashier? Was squeaky-clean Dan leading a double life?) Berg seems to fall back on her default worldview: Her characters are simply too nice, too timid or both, to get themselves into any interesting messes. Helen sabotages the job interview, and she learns early on (from well-preserved hunky architect Tom) that Dan siphoned off the funds to surprise Helen with the California retirement house of her dreams. The writing class adds the most spice—Helen’s arch-rival, a catty novelist, is a co-instructor, and arch-rival-in training Margot brings a masterpiece to the workshop. Otherwise, stock minor players—Helen’s skeptical daughter, Tessa, her wise-cracking best girlfriend, Midge, and Tom, a hot romantic prospect (and he’s handy too!)—and a plot that ducks every conflict render this outing listless.

Neither insipid nor mawkish but definitely phoned-in.

Pub Date: May 5, 2009

ISBN: 978-1-4000-6511-0

Page Count: 272

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2009

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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