An engaging historical, by Crook (The Raven's Bride, 1991), that deftly deflates myths about the Texas fight (1835-36) for independence from Mexico, revealing the desperation, poor planning, and grandiose leadership on both sides—and the carnage that resulted. As the story begins, hot-tempered young Miles Kenner, a homesteader in Texas, Mexico, leaves home to join the mostly Anglo rebels fortifying San Antonio's Alamo. Miles's father, Hugh, soon heads to the front as well; a doctor, he's needed to tend to the ragged ranks of wounded rebels. The younger Kenner son, Toby, goes along with Hugh, while the Kenner women—Hugh's elderly mother; his wife, Rose; and their daughter, Katie—join a long line of refugees. At the same time, Adelaido Pacheco, a Texan of Mexican ancestry, and his sister Crucita find themselves caught in the middle. True Tejanos, they move easily between the Anglo and Mexican worlds but are wholly at home in neither. Meanwhile, the Kenner refugees brave hunger, cold, illness, cottonmouths, and terrifying rumors only to lose Hugh's mother, and the Kenner men are caught in a bloody debacle at Goliad that ends when the surviving rebels surrender. Conscripted to doctor Mexican soldiers, Hugh is at work when Miles is killed in a gory Palm Sunday massacre, from which Toby escapes. Toby sets out alone, trekking for days before finding a rebel camp. Brutalized, half-starved, and seriously wounded, he is barely recognizable when Hugh finds him three weeks later, just after the battle of San Jacinto. In this battle, the one that wins the war for Texas, bloodthirsty rebels descend on General Santa Anna's army—and Crucita is killed. After the war, the Kenners return to their homestead while Adelaido heads west—and, perhaps, into another installment in Crook's series. Convincing characters and vivid description bring a fascinating period to life. Cook hits a flat note on occasion, but too rarely to spoil the harmony.

Pub Date: March 4, 1994

ISBN: 0-385-41858-2

Page Count: 528

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1994

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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