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I AM A GIRL FROM AFRICA

An inspiring narrative that will be especially valuable to young people seeking to work for humanitarian causes.

A moving account of a determined young woman’s journey from poverty to humanitarian activism.

Raised by a generous, wise grandmother in Zimbabwe, Nyamayaro came of age in a time of withering heat. “There is no cool or comfortable place to hide,” she writes on the first page of her memoir. “The leaves of the tree are long gone, and with it the shade, burned away by the punishing drought that has descended on our small village.” The ensuing famine meant widespread death, but she was kept from starvation by the ministrations of U.N. aid workers. She was determined to become an aid worker herself. In 2000, at the age of 25, she moved to London, where an Irishwoman she met in a hostel dubbed her “Girl from Africa.” Nyamayaro, who returned the favor by dubbing the woman “Tiny Nose,” didn’t mind the sobriquet: “The fact that I’m African is all that matters, and that is enough. I am after all Mwana Wehvu—a child of the African soil.” Scraping to survive, finally finding work as a janitor, she talked her way into a volunteer position at a humanitarian agency and began to take on projects of increasing importance—e.g., developing responses to the HIV/AIDS epidemic sweeping her native country and working to help the government of the nation of Georgia to maintain a health insurance program for impoverished communities. Leading a team to combat maternal mortality in childbirth, Nyamayaro became increasingly aware of the scarcity of resources as well as the pervasiveness of gender inequality. “Why is it that despite all the progress made by the women’s rights movement,” she asks, “no country or company or institution in the world can yet claim to have achieved gender equality?” Throughout this memorable account of her impressive life, the author recalls “the central, definitive African value and philosophy of ubuntu: that when we uplift others, we are ourselves uplifted.”

An inspiring narrative that will be especially valuable to young people seeking to work for humanitarian causes.

Pub Date: April 20, 2021

ISBN: 978-1-982113-01-8

Page Count: 320

Publisher: Scribner

Review Posted Online: Feb. 7, 2021

Kirkus Reviews Issue: March 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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