A general, lukewarm approach in loosely related stories without a burning theme or focus.
A series of normalized, slice-of-life vignettes from first-timer Poliner shows the sad fallout of a divorce on a 1970s Jewish family.
The title is taken from the Hartford insurance company where father Daniel Kahn is an executive, providing an unusually lucrative life for his family in Wells, Connecticut, where other dads are machinists at Pratt and Whitney. The Kahns—homemaker mother Naomi, daughters Carolyn and Hannah—are the only Jews in town, owners of a big, newly renovated house and fancy stereo. The money from provider Dad flows freely, and shopping trips to Loehmann’s are frequent. But the Kahn parents aren’t getting along: they differ on the election of Richard Nixon, then on Watergate, as Dad has conservative ideas and Mom begins to assert different feelings of her own. “Can you support what you feel with facts?” Father asks scornfully of his wife, indicating the deepening fissures between them. Mom’s burgeoning self-awareness coincides with the two girls’ teenaged years, and Dad, grown demanding, critical, bossy and ineffectual, is squeezed out, after 23 years of marriage. Other vignettes pursue the painful adolescence of daughter Carolyn and her popular, anorexic girlfriend Clarissa as they smoke pot under the eyes of their elders; Hannah’s first sexual experience, with boyfriend Jackie; her later pregnancy, at 31, in 1993, when she finally decides to have a baby with him; and Carolyn’s going to college in Miami, to get as far away from Wells as possible. Poliner explores the various well-trod currents of the era—the women’s movement, the exercise craze, the explosion of sex, the general smashing of familial relationships—only to come around to Hannah’s rueful conclusion as she holds her new baby in her arms: “Mostly I feel like I’ve never lived a life.”
A general, lukewarm approach in loosely related stories without a burning theme or focus.Pub Date: Feb. 1, 2005
ISBN: 1-57962-112-0
Page Count: 221
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
