An inspired use of the graphic format to weave a narrative with a power beyond words alone.

THE INHERITANCE

An ambitious graphic memoir that combines text, drawings, and photos into a meditation on what divides and unites us.

Throughout this impressively audacious book, Povinelli, Franz Boas Professor of Anthropology at Columbia, effectively conveys her attempts to come to terms with her fraught familial roots in an Italian Alpine village, a map of which was displayed in the family’s living room. When she asked about it as a child, she was told to leave it alone, or “you’ll start a huge fight over a pointless problem.” Part of the problem was that the village had two names: Karezol as part of the Austro-Hungarian Empire and Carisolo when it became part of Italy. This division would become symbolic of so many rifts that became parts of the author’s inheritance, including disconnections among generations in the household, between parents and children, and the disharmony caused by a grandmother tragically losing her memory. Furthermore, the gender divisions among her siblings resulted in varying levels of responsibilities and expectations. Povinelli’s family settled in Buffalo, New York, but their move to Shreveport, Louisiana, when the author was a toddler exposed yet more divisions. Eventually, she realized that her familial experiences were “problems inserted into a national trouble with a broad American grammar.” The text is incisive and refreshingly concise, but Povinelli’s art is what truly shines: Her drawings are evocatively eloquent, particularly as she chronicles her struggles with “visual panic attacks” caused by living in “a haunted house whose walls had long ago fallen in on themselves.” Expanding her personal story outward, the author speaks to experiences that will resonate with anyone struggling with familial legacies. “Even if I could have found all the dispersed pieces of our shattered inheritance, they would no longer have fit together,” she writes. “The compressions of memory had fundamentally deformed the fragments and lodged foreign material into their heart."

An inspired use of the graphic format to weave a narrative with a power beyond words alone.

Pub Date: March 12, 2021

ISBN: 978-1-4780-1403-4

Page Count: 336

Publisher: Duke Univ.

Review Posted Online: Jan. 6, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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Fans will find comfort in Lawson’s dependably winning mix of shameless irreverence, wicked humor, and vulnerability.

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BROKEN (IN THE BEST POSSIBLE WAY)

The Bloggess is back to survey the hazards and hilarity of imperfection.

Lawson is a wanderer. Whether on her award-winning blog or in the pages of her bestselling books, she reliably takes readers to places they weren’t even aware they wanted to go—e.g., shopping for dog condoms or witnessing what appears to be a satanic ritual. Longtime fans of the author’s prose know that the destinations really aren’t the point; it’s the laugh-out-loud, tears-streaming-down-your-face journeys that make her writing so irresistible. This book is another solid collection of humorous musings on everyday life, or at least the life of a self-described “super introvert” who has a fantastic imagination and dozens of chosen spirit animals. While Furiously Happy centered on the idea of making good mental health days exceptionally good, her latest celebrates the notion that being broken is beautiful—or at least nothing to be ashamed of. “I have managed to fuck shit up in shockingly impressive ways and still be considered a fairly acceptable person,” writes Lawson, who has made something of an art form out of awkward confessionals. For example, she chronicles a mix-up at the post office that left her with a “big ol’ sack filled with a dozen small squishy penises [with] smiley faces painted on them.” It’s not all laughs, though, as the author addresses her ongoing battle with both physical and mental illness, including a trial of transcranial magnetic stimulation, a relatively new therapy for people who suffer from treatment-resistant depression. The author’s colloquial narrative style may not suit the linear-narrative crowd, but this isn’t for them. “What we really want,” she writes, “is to know we’re not alone in our terribleness….Human foibles are what make us us, and the art of mortification is what brings us all together.” The material is fresh, but the scaffolding is the same.

Fans will find comfort in Lawson’s dependably winning mix of shameless irreverence, wicked humor, and vulnerability.

Pub Date: April 6, 2021

ISBN: 978-1-250-07703-5

Page Count: 288

Publisher: Henry Holt

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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