Another powerful examination of painfully human ambiguities and ambivalences—this gifted writer just keeps getting better.

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ANYTHING IS POSSIBLE

A radiant collection of stories linked to Strout’s previous novel, My Name Is Lucy Barton (2016, etc.), but moving beyond its first-person narration to limn small-town life from multiple perspectives.

Lucy is long gone from Amgash, Illinois, but her absence looms large; now that she’s a well-known author, the fact that her desperately poor family was despised and outcast has become an uncomfortable memory for the locals, including her damaged brother, Pete, and resentful sister, Vicky. Strout stakes out the collection’s moral terrain in its first story, “The Sign.” Tommy Guptill, who was kind to Lucy when she was a girl, still drops by the ramshackle Barton house to check on Pete even though it’s quite likely that Pete’s father was responsible for the fire that destroyed Tommy’s dairy farm and reduced him to taking a job as a school janitor. Tommy is an extraordinarily good man who took the calamitous fire as a spiritual lesson in what was truly important and has lived by it ever since. Patty Nicely, protagonist of “Windmills,” is another genuinely decent person who returns kindness for cruelty from Vicky’s angry daughter, Lila, who, in addition to viciously insulting Patty, states the jaundiced town wisdom about Lucy: “She thinks she’s better than any of us.” That isn’t so, we see in the story in which Lucy finally visits home (“Sister”), but there are plenty of mean-spirited people in Amgash who like to think so; it excuses their own various forms of uncaring. Class prejudice remains one of Strout’s enduring themes, along with the complex, fraught bonds of family across the generations, and she investigates both with tender yet tough-minded compassion for even the most repulsive characters (Patty’s nasty sister, Linda, and her predatory husband, Jay, in the collection’s creepiest story, “Cracked”). The epic scope within seemingly modest confines recalls Strout’s Pulitzer Prize winner, Olive Kitteridge (2008), and her ability to discern vulnerabilities buried beneath bad behavior is as acute as ever.

Another powerful examination of painfully human ambiguities and ambivalences—this gifted writer just keeps getting better.

Pub Date: April 25, 2017

ISBN: 978-0-8129-8940-3

Page Count: 272

Publisher: Random House

Review Posted Online: Dec. 27, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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