edited by Ellen Datlow & Terri Windling ‧ RELEASE DATE: May 20, 2002
The spirit of the forest is celebrated in stories and poems by 18 well-known authors and talented newcomers, in another fine fantasy collection by Datlow and Windling (A Wolf at the Door, 2000, etc.). The leafy incarnation of the title appears in various guises in most of the stories; sometimes mischievous or vengeful, for the most part he brings healing and renewal, often to troubled contemporary adolescents. Others take a sideways slant on nature magic: Jane Yolen (“Song of the Cailleach Bheur”) invokes a dangerous Scottish winter fairy; Carolyn Dunn (“Ali anugne o chash”) reworks an eerie Choctaw legend of the river panther; and Kathe Koja (“Remnants”) balances recycling on the fine line that slices between madness and genius. Tree-women also have their say, both in ancient Greece (Michael Cadnum’s “Daphne”) and in modern New York City (Delia Sherman’s “Grand Central Park”). On the lighter side, Gregory Maguire (“Fee, Fie, Foe, et Cetera”) wonders what Jack’s family was up to while Jack explored that beanstalk; M. Shayne Bell (“The Pagodas of Ciboure”) examines the intersection between musicological history and obscure French legend; and Katherine Vaz (“A World Painted by Birds”) ventures into magical realism with a lyrical fairytale of political revolution. Overall, the tone is dreamlike and meditative, like a drowsy afternoon in the woods. Best taken in small doses, this collection is a treasure trove for teens and teachers exploring themes of ecology and folklore. Illustrations by noted fantasy artist Charles Vess not seen. (introduction, author notes and biographies) (Short stories. 12+)
Pub Date: May 20, 2002
ISBN: 0-670-03526-2
Page Count: 368
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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edited by Ellen Datlow ; Terri Windling
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edited by Ellen Datlow ; Terri Windling
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edited by Ellen Datlow & Terri Windling
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Stephanie Garber ‧ RELEASE DATE: Jan. 31, 2017
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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