Creaky joints, rough seams, thin characters, intrusively insistent evocations of the 1950s: a tale, nevertheless, that...
Feldman (Lucy, 2003, etc.), a.k.a. Elizabeth Villars, imagines there being another survivor from the secret annex besides Otto Frank.
Peter van Pels (van Daan in the Diary) is imagined here as having survived Mauthausen, been processed as a DP, and sent to New York for a new life of security and health as an American. And Peter does very well indeed. He forms a profitable company that puts up tract houses in New Jersey, just ahead of the huge postwar migration to the suburbs. He also marries (living in one of his own houses), has two daughters, then a son—and, by rights, ought to be happy. Yet at story’s opening, Peter is in a psychiatrist’s office, irascible, short-tempered—and without his voice. When did he lose it? On the night, we learn, when his wife was reading Anne’s Diary. Peter will become increasingly rigid, paranoid, even suicidal—all because, as the reader knows from the very moment Peter steps off the ship, his desire for survival and security (his and his family’s) demanded that he pass as a non-Jew (he’d be “on the safe side of the line”), his blue eyes and brown hair making this possible in spite of the camp tattoo on his arm. But the price he pays for attempting to turn his back on the past grows clear only in those years when Anne’s Diary sweeps the world as play and then movie—and Peter grows outraged at the untruthfulness of it: the suffering left out, made not real, and the way—for dramatic effect—that his own father is reduced to a man who sneaks bread from the others while all are starving. Peter’s transformation is mechanical and hasty, but, to all, he will admit his deceit, “[crying] for the second murder of my parents, the one I had committed by silence.”
Creaky joints, rough seams, thin characters, intrusively insistent evocations of the 1950s: a tale, nevertheless, that achieves drive, even some seriousness.Pub Date: April 1, 2005
ISBN: 0-939-05944-8
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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