Gilchrist's latest—the coming-of-age autobiography of Rhoda Manning, introduced in In the Land of Dreamy Dreams (1981)—is, as usual, heavy on sensitivity and sexual soul-searching, but it's not as dazzling in its display of southern society as Gilchrist's earlier work. Rhoda Manning is cousin to Anna Hand (The Anna Papers, 1988). In her late teens, Rhoda is moved to Dunleith, Alabama, from Kentucky, and she struggles—via friends, college, sororities, affairs, and finally a bittersweet marriage—``to break the bonds'' her father ``tied me with.'' She is part rebellious late- 50's/early-60's adolescent, part ``rich and spoiled and pampered and charming.'' She wins a freshman writing contest at Vanderbilt, meets Charles William Waters, on his way to becoming an architect (``my first true running buddy, my first imaginative peer''), and- -not knowing ``that I was made of light, of star carbon and molecules'' (a Gilchrist motif in recent books)—she suffers when her careless driving leads to the death of friend Clay. After Rhoda recovers and has it out with her father (who's worried about a lawsuit), it's back to college and the trials and tribulations of a young woman who's smart. This is 1955, so an attempted rape goes unreported, but finally there's Malcolm, and marriage, and children, and separation, and civil rights, and a brief affair with a civil-rights worker, which leads to an abortion, and another attempt to make her marriage work: ``We were 23 years old and we had suffered.'' She reads Freud, drinks too much, and then Charles is dying of heart disease: ``Please don't die on me.'' But time passes, he does, and the book ends. Parts of this southern saga are schmaltzy, but Gilchrist's saving grace is, as always, her style—a mix of devil-may-care confession and emotional anarchy full of moving nostalgia for a lost world.
Pub Date: March 26, 1992
ISBN: 0-316-31423-4
Page Count: 368
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
IN THE NEWS
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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