A novel in which relationships develop more from pragmatism than passion.
At the intersection of love, art, and politics, characters within a romantic triangle and a few just outside it discover that they're puppets whose strings have been pulled by a bureaucracy and whose fates are connected in ways beyond their control.
The latest from a novelist who's both been a Marine and worked in the White House opens with a reception for photographer Peter, an American expatriate in Istanbul, to celebrate his provocative series of shots from a recent protest in Istanbul. Among the attendees is Catherine, another expatriate American and the wife of a high-profile Turkish real estate magnate; she is having an affair with Peter, and much to his surprise, she's brought her young son, William, to the reception. Addressing the party is Kristin, an American diplomat in Cultural Affairs, who has apparently helped facilitate the photographs (and perhaps the protest that they document). The reception is being held at the apartment of Deniz, the director of the gallery presenting the exhibition. Catherine’s husband, Murat, waits at home for his wife and son, who return much later than he had anticipated. There is a blowout; Catherine and William flee to Peter, and she hopes they can return to America with him. The rest of the novel alternates the narrative tension of a woman caught between two men over the course of a single day, with flashbacks that provide context on the marriage, the affair, the protest, and the much larger web in which these characters are caught, mostly without their knowledge. The novel is deftly plotted, though the characters themselves seem more like pawns in the author’s narrative scheme, lacking much flesh-and-blood depth, though perhaps this is a reflection of the “moral hollowness” that Catherine suspects in herself, as she is suspended between a marriage of convenience and what might seem to be an affair of convenience. As Kristin says, “Each of us has to live....No matter how we do it.”
A novel in which relationships develop more from pragmatism than passion.Pub Date: May 26, 2020
ISBN: 978-0-525-52181-5
Page Count: 288
Publisher: Knopf
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
