A novel in which relationships develop more from pragmatism than passion.

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RED DRESS IN BLACK AND WHITE

At the intersection of love, art, and politics, characters within a romantic triangle and a few just outside it discover that they're puppets whose strings have been pulled by a bureaucracy and whose fates are connected in ways beyond their control.

The latest from a novelist who's both been a Marine and worked in the White House opens with a reception for photographer Peter, an American expatriate in Istanbul, to celebrate his provocative series of shots from a recent protest in Istanbul. Among the attendees is Catherine, another expatriate American and the wife of a high-profile Turkish real estate magnate; she is having an affair with Peter, and much to his surprise, she's brought her young son, William, to the reception. Addressing the party is Kristin, an American diplomat in Cultural Affairs, who has apparently helped facilitate the photographs (and perhaps the protest that they document). The reception is being held at the apartment of Deniz, the director of the gallery presenting the exhibition. Catherine’s husband, Murat, waits at home for his wife and son, who return much later than he had anticipated. There is a blowout; Catherine and William flee to Peter, and she hopes they can return to America with him. The rest of the novel alternates the narrative tension of a woman caught between two men over the course of a single day, with flashbacks that provide context on the marriage, the affair, the protest, and the much larger web in which these characters are caught, mostly without their knowledge. The novel is deftly plotted, though the characters themselves seem more like pawns in the author’s narrative scheme, lacking much flesh-and-blood depth, though perhaps this is a reflection of the “moral hollowness” that Catherine suspects in herself, as she is suspended between a marriage of convenience and what might seem to be an affair of convenience. As Kristin says, “Each of us has to live....No matter how we do it.”

A novel in which relationships develop more from pragmatism than passion.

Pub Date: May 26, 2020

ISBN: 978-0-525-52181-5

Page Count: 288

Publisher: Knopf

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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