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CLOUDY IN THE WEST

From award-winning western yarnspinner Kelton (The Pumpkin Rollers, 1996, etc.) comes his 36th, the tale of a gentle Texas boy forced by harsh circumstances to come of age while on the run from both the law and a murderous stepmother. When Joey Shipman's father dies after a suspicious accident, leaving his farm to his 12-year-old child and thereby lighting the fuse of the boy's already mean-tempered stepmother, it's only a matter of time before the fireworks begin. Sure enough, Joey's last protector, the old family handyman, is found dead in his bunk; knowing that he's next on the list, Joey takes the first opportunity to run away, heading west to find his cousin Beau, a man he barely remembers but who is his only known kin. Beau proves to be a dedicated drunk, spending as much time in the county jail as in his own tumbledown shack. Taking reluctant responsibility for his orphaned cousin, Beau is only too happy to hand him over when Joey's new stepfather comes to take the runaway home. But when the man tries to drown the boy, Beau intervenes and, after a desperate struggle, the would-be killer is himself apparently killed. Running from the deed, the cousins fall in with a feared outlaw, who turns out to have a son Joey's age. The outlaw takes them to a hole-in- the-wall hideout, but bad blood between bandits soon has them on the run again, this time with a young ex-prostitute who was the cause of the ruckus. They join up with an old sheepherder taking his flock home for the winter, but ultimately Joey and Beau turn back toward home, determined to face the consequences of what they've done. Adventure aplenty, and no lack of trademark historical detail, but plot and characters are a tad formulaic here, making this a less engrossing yarn than its predecessors.

Pub Date: April 17, 1997

ISBN: 0-312-86239-3

Page Count: 256

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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