A lucid portrait and defense of a region too often caricatured but little understood.
Thoughtful memoir of a forgotten corner of forgotten Appalachia.
The holler in southwestern Virginia in which Hackney grew up is but a small part of “a place undefinable, so worn and wild, that had been stripped and scavenged and shaken and robbed, yet never conceded to the forces that tried to hold it down.” But, she makes clear, if there’s a stubborn pride to it, then the whole region is shadowed by a sense of hopelessness. Her first book is full of both moods. An intelligent girl encouraged by her mother, who listened to NPR, and her father, hardworking, poor, and a creationist, young Hackney embraces a death-haunted kind of fundamentalism: “Terrifying, this God…who was everywhere, always, with the weight of eternity behind his crushing presence.” She winds up engaged to an older man, bound for the life of a subservient tradwife until, shortly before the marriage, her betrothed is arrested for possession of child pornography. Already seen as something of an outsider in her own home, in part for not being sufficiently enthusiastic about MAGA (“Choosing not to vote for Trump was one of the more deliberate choices I made”), Hackney keeps her nose down, working minimum-wage jobs until daring to apply to Harvard and being accepted, tantamount to “saying you’re not good enough for me to the people and places that raised you.” The educational adventure she recounts includes surprising and sometimes even shocking turns, while her visits home provoke both alienation and a determination to speak up for her home and its people, victims of eternal exploitation: “Outsiders come in, make promises they never intend to keep, and use us for their own gain.” Hackney’s memoir runs long, with many variations on a few themes, but, overall, it makes a fine rejoinder and update to Harry Caudill, James Agee, and other chroniclers of Appalachia.
A lucid portrait and defense of a region too often caricatured but little understood.Pub Date: July 28, 2026
ISBN: 9780593831403
Page Count: 384
Publisher: Penguin Press
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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