by Emily Holleman ‧ RELEASE DATE: April 4, 2017
Holleman’s gift of characterization will have readers rooting for all three Egyptian royals, hoping against historical fact...
Second in Holleman’s series about the last of the pharaohs that began with Cleopatra's Shadows (2015).
Now that Cleopatra's sister Berenice has been deposed and beheaded, Ptolemy the Piper, their father, backed by a few Roman legions, has reclaimed the throne, but not for long. As the terminally ill king lingers overlong, Cleopatra, spurred on by younger sister Arsinoe, age 15, hastens matters with a dose of hemlock. The Piper’s will provides that his son, 11-year-old Prince Ptolemy, will rule jointly with Cleopatra. (Tradition also dictates that brother and sister marry, and a purely ceremonial wedding ensues.) In chapters headed “Brother” and “Sister,” Ptolemy and Arsinoe alternate points of view, sharing the conflicted perspectives of younger siblings torn between succumbing to Cleopatra’s charisma and wanting to kill her. Cleopatra and Ptolemy plot to depose each other, both raising armies, and Arsinoe throws in her lot, serially, with each. Ptolemy heeds some bad advice to greet Pompey’s proffered alliance by beheading that Roman general, hoping to win Pompey’s rival, the more powerful Julius Caesar, to his side. This tactic backfires, though, when Cleopatra beats Ptolemy to a meeting with Caesar and soon has Rome’s wiliest commander and best-known seducer in her thrall. Ptolemy finds himself confined to quarters when his plot to poison Caesar is discovered thanks to leaked pillow talk. With Caesar’s backing, Cleopatra is on track to rule alone, but Ptolemy and Arsinoe, each surrounded by cabals of scheming courtiers, still have many tricks up their respective sleeves. On vivid display here are the paradoxical politics of a monarchy pitted against, and propped up by, a foreign imperialistic juggernaut. (The Ptolemaic dynasty itself, as Holleman’s many ironic observations make clear, was founded by conquering Greeks.) Holleman's poetic language contributes to the atmosphere of intrigue and menace, expertly capturing the roiling anxieties of the principals as they battle for Rome’s scraps.
Holleman’s gift of characterization will have readers rooting for all three Egyptian royals, hoping against historical fact that this sibling rivalry has no losers—at least not until the next installment.Pub Date: April 4, 2017
ISBN: 978-0-316-38303-5
Page Count: 432
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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