The antic Viva is fine in small doses, but the worldly-wise Viva who struggles to the kinds of realizations actual kids have...

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NAMEDROPPER

A punk London schoolgirl discovers some of the many things she doesn’t know about life and love in a snappy first novel that’s meant to tug at your heartstrings too.

If Viva Cohen had a résumé, it would say that she’s in her final year at Griffins School for Girls. The life she’s cast herself in, though, is a lot more glamorous, even when it’s retro-glam and tawdry-glam. Her role models are Liz Taylor, Marilyn Monroe, and her gay Uncle Manny, the only important authority figure in her life who isn’t dead and thumbtacked to her wall. Viva is so cool that her best friend, the impossibly beautiful Treena, couldn’t pick a single one of her Hollywood heroes out of a Photoplay pictorial, and her other best friend, mid-range pop star Ray Devlin, hasn’t even slept with her. She sees 17 as an awkward age, too young for adult relationships, too old to play Lolita to men even older than Ray. Hundreds of waiflike insights like these, delivered from different locations and postures, drive the story, through which other figures drift mainly to provide setup lines or dispense wisdom of their own. (It figures that a depressive singer with the group Kindness of Strangers, the one character who seems to draw Viva into a connection with something outside herself, disappears early on.) Viva floridly fails her exams, joins Ray on a Hollywood junket, compares the real movie stars at the Château Marmont to the ones on the wall back home, runs the cultural gamut from Sartre to Smarties, and eventually realizes that “just because someone likes some of the same films as you, it doesn’t mean you’re going to live happily ever after.”

The antic Viva is fine in small doses, but the worldly-wise Viva who struggles to the kinds of realizations actual kids have before they’re well into their teens, is a little hard to take.

Pub Date: Aug. 1, 2000

ISBN: 0-684-86538-6

Page Count: 256

Publisher: Scribner

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2000

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE POET

Connelly takes a break from his Harry Bosch police novels (The Last Coyote, p. 328, etc.) for something even more intense: a reporter's single-minded pursuit of the serial killer who murdered his twin. Even his buddies in the Denver PD thought Sean McEvoy's shooting in the backseat of his car looked like a classic cop suicide, right clown to the motive: his despondency over his failure to clear the murder of a University of Denver student. But as Sean's twin brother, Jack, of the Rocky Mountain News, notices tiny clues that marked Sean's death as murder, his suspicions about the dying message Sean scrawled inside his fogged windshield—"Out of space. Out of time"—alert him to a series of eerily similar killings stretching from Sarasota to Albuquerque. The pattern, Jack realizes, involves two sets of murders: a series of sex killings of children, and then the executions (duly camouflaged as suicides) of the investigating police officers. Armed with what he's dug up, Jack heads off to Washington, to the Law Enforcement Foundation and the FBI. The real fireworks begin as Jack trades his official silence for an inside role in the investigation, only to find himself shut out of both the case and the story. From then on in, Jack, falling hard for Rachel Walling, the FBI agent in charge of the case, rides his Bureau connections like a bucking bronco—even as one William Gladden, a pedophile picked up on a low-level charge in Santa Monica, schemes to make bail before the police can run his prints through the national computer, then waits with sick patience for his chance at his next victim. The long-awaited confrontation between Jack and Gladden comes at an LA video store; but even afterward, Jack's left with devastating questions about the case. Connelly wrings suspense out of every possible aspect of Jack's obsessive hunt for his brother's killer. Prepare to be played like a violin.

Pub Date: Jan. 15, 1996

ISBN: 0-316-15398-2

Page Count: 440

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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