A historical novel in which an abused young girl finds the strength to stand up for herself.
All is not well in the Arkwright family. In 1962, recently divorced Althea has moved with her three children—Lars, Nell and Lottie—from Chicago to London, the first stop on a pilgrimage to Israel. Unemployed and plagued by unpredictable moods, Althea is more focused on composing a narrative poem about the life of St. Paul than caring for her children. But she’s also committed to nurturing their creative spirits, including dedicating some of the family’s limited funds to pay for 9-year-old Lottie’s piano lessons with Master Rory, a talented 24-year-old concert pianist. Lottie is a gifted musician, but Rory’s interest in her goes beyond teaching her scales. He abuses her sexually, exploiting her mother’s trust in him and manipulating Lottie so that she says nothing of his crimes. As Althea’s condition deteriorates, Rory insinuates himself into the family, buying them food and inviting them to his country estate. But when Rory moves to assume guardianship of the Arkwright children, Lottie takes matters into her own hands. In her latest novel, Gates (Praying for Rain, 2014) offers a glimpse into the psyche of an abused child, from her feelings of shame and fear to her affection for her abuser and desire to please him. As a result, Lottie is by turns heartbreaking and charming. She’s still young enough to trust in her mother’s addled fantasies of speaking to God but old enough to suspect that there is something seriously wrong with her family, and especially with Rory’s unhealthy fixation on her. Gates also skillfully shows how abuse can go unnoticed, even by those closest to the victim, as Lottie’s family sees Rory as a savior, not a deviant. Midcentury London comes to life through period details (Beatles songs on the radio, Little Noddy on the “telly”) as well as Lottie’s sometimes-incongruous cockney accent. Even characters who behave badly are sympathetic at times, including Althea and even Rory, particularly when his own history of abuse is revealed. But the smart, funny and wounded Lottie remains the story’s heart and soul.
A troubling but perhaps necessary portrait of abuse handled with grace and sensitivity.
Pub Date: Feb. 22, 2014
ISBN: 978-0988890695
Page Count: 282
Publisher: Wells Street Press
Review Posted Online: Aug. 3, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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