With so many questions left unanswered, this dystopia is ripe for a sequel.
Growing up among privileged doomsday preppers, Marlo has always known that the end of the world was nigh. But she never suspected trouble from within her community.
Climate change, poisoned soil, rising sea levels—the harbingers of ecological collapse prompted Marlo, her adoptive parents, and a group of wealthy, like-minded survivalists to settle a secluded community in the wilds of Oregon. Adopted at 14 months old, Marlo has grown up on the ranch, with only occasional visits to the outside world, a place known as the Disaster among the ranchers. Now 25, Marlo has few friends left now that Alex and Ben have moved out. With sporadic access to the internet, Marlo doesn't get many updates from them about their adventures in eco-activism. But the sleepy wait for an apocalypse abruptly ends when five bald eagles are discovered dead on the ranch with no clear cause of death. Curious about life in the Disaster and restless to participate in the fight against climate change, Marlo makes plans to temporarily leave the ranch. But her overprotective, smothering parents have other ideas. Serendipitously, a mysterious stranger arrives at the ranch. His name is Wolf, and he may be the answer to at least some of Marlo's prayers, as they quickly connect and fall in love. In this, her debut novel, Sloley masterfully weaves together the tropes of dystopia, romance, and mystery. Suspicions and questions abound: Is Wolf too good to be true? Who is posting ominous religious quotations around the community? Who hid the mysterious gun cache? Yet as alarming events compound, the rising sense of menace is undercut by Marlo’s naiveté. Her sheltered life and overdependence on her parents prevent her from seeing the dangers that the reader sees at every corner.
With so many questions left unanswered, this dystopia is ripe for a sequel.Pub Date: Nov. 5, 2019
ISBN: 978-1-5420-0406-0
Page Count: 320
Publisher: Little A
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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