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THE SNOW CHILD

A fine first novel that enlivens familiar themes of parenthood and battles against nature.

A couple struggling to settle in the Alaskan wilderness is heartened by the arrival of the child of their dreams—or are they literally dreaming her?

Jack and Mabel, the protagonists of Ivey’s assured debut, are a couple in their early 50s who take advantage of cheap land to build a homestead in Alaska in the 1920s. But the work is backbreaking, the winters are brutally cold and their isolation only reminds them of their childlessness. There’s a glimmer of sunshine, however, in the presence of a mysterious girl who lurks near their cabin. Though she’s initially skittish, in time she becomes a fixture in the couple's lives. Ivey takes her time in clarifying whether or not the girl, Faina, is real or not, and there are good reasons to believe she’s a figment of Jack and Mabel’s imaginations: She’s a conveniently helpful good-luck charm for them in their search for food, none of their neighbors seem to have seen the girl and she can’t help but remind Mabel of fairy tales she heard in her youth about a snow child. The mystery of Faina’s provenance, along with the way she brightens the couple’s lives, gives the novel’s early chapters a slightly magical-realist cast. Yet as Faina’s identity grows clearer, the narrative also becomes a more earthbound portrait of the Alaskan wilderness and a study of the hard work involved in building a family. Ivey’s style is spare and straightforward, in keeping with the novel’s setting, and she offers enough granular detail about hunting and farming to avoid familiar pieties about the Last Frontier. The book’s tone throughout has a lovely push and pull—Alaska’s punishing landscape and rough-hewn residents pitted against Faina’s charmed appearances—and the ending is both surprising and earned.

A fine first novel that enlivens familiar themes of parenthood and battles against nature.

Pub Date: Feb. 1, 2012

ISBN: 978-0-316-17567-8

Page Count: 400

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: Dec. 3, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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