A harsh film-industry coming-of-age story.


Coyote (Invaders from the Outer Rim, 2015, etc.) delivers a novel about a young man making his way in Hollywood.

In 1988, Samuel Reuben, an aspiring screenwriter, arrives in Los Angeles. He’s fled his Hasidic upbringing in New York City to enroll in the University of Southern California’s famous film program. Despite his aspirations, it doesn’t take long for him to learn that there’s plenty of darkness in sunny California. He’s mugged and questioned about his sexuality during his very first day on campus, so it’s clear that Samuel’s adventures in LA won’t be easy. He eventually drops out of school, takes temp jobs, and comes to terms with the strange ways of the film industry; at one point, for example, Samuel’s boss has sex with Samuel’s date at the company Christmas party. Samuel keeps writing despite the fact that just about everyone else in LA seems to be working on a screenplay. But will he ever be able to find the right mix of luck and content to make it in such a twisted world? The novel offers some vulgar sentiments; for example, when someone rewrites one of Samuel’s scripts, Samuel describes it as “taking my baby and sticking his cock up the baby’s ass.” There’s also plenty of loveless sexual activity in this cruel vision of LA. That said, Coyote’s portrayal of the city manages to be friendlier than those drawn by, say, Bret Easton Ellis. The book also features cameos by Hollywood figures such as director and producer Irwin Allen. Overall, the story of Samuel’s struggle to become a writer can be redundant at times, and it will be obvious to perceptive readers that his success won’t take place in early chapters, if it ever does. The narrative keeps moving forward, though, and some readers will be intrigued by guessing what type of Hollywood depravity will occur next. Surprises happen, characters remain eager for big breaks, and the fate of a once-innocent kid in an unscrupulous place remains up in the air until the very end.

A harsh film-industry coming-of-age story.

Pub Date: Nov. 28, 2015


Page Count: 209

Publisher: CreateSpace

Review Posted Online: Jan. 26, 2016

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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