Another installment in the ever-expanding chronicle of Kraft's fictional universe, this gently provocative novel uses a boy's delicious dalliance with two sisters to serve up the author's true passion: Deep Questions about the nature of art and memory. Speaking as usual through his narrator and stand-in Peter Leroy, Kraft (Where Do You Stop?, 1992, etc.) invites us to spend time with the Glynns, out-of-place bohemians in Babbington, Long Island. Andy is a painter and art teacher; his wife, Rosetta, a melancholy poet; their twin daughters, Margot and Martha, are precocious 14-year-olds who want to entice young Peter into a mÇnage Ö trois. The plot, such as it is, pits Kraft/Leroy's digressive tendencies against the reader's fond hopes that the book will live up to the promise of its early sexual-initiation scene, a model of the genre. A key digression is Andy's search for classical visual archetypes—e.g., the ``pure'' watermelon—a quest that captures Peter's imagination shortly after he consummates his relationship with the twins. The fact that the Glynns are Middle European exiles hiding under assumed names, that the twins' ``foreplay'' consists of having Peter act out the plots of the foreign films they see at the local art house, and that Peter's involvement with the girls will eventually resemble the plots of the movies he sees—well, that's the kind of High Fun to be found in Kraft's self-referential but never boring Art. Meanwhile, Leroy will be everywhere this spring: Picador is issuing all Kraft's previous fiction in paperback, while Voyager is producing an interactive electronic version of the complete Peter Leroy saga. Kraft's latest, sexy-sweet novel devolves into a perfect madeleine—dissolving just as you bite into it, leaving an insatiable desire for more.
Pub Date: May 1, 1995
ISBN: 0-517-59614-8
Page Count: 192
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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