A redemption story, with some satisfying suspense and triumph, that delivers too much unbelievable tragedy for such a...
A talented young runner escapes a turbulent childhood only to face even bigger challenges in this debut novel.
With an abusive father, Wes Strong grows up living in a state of undeserved criticism and fear. A hardworking student who just wants to make his father proud, Wes asks earnestly in prayer “What have I done, God? What am I doing wrong?” Even though he never does anything wrong, his father’s abuse is merely the first, and least awful, of the horrors awaiting him. He briefly finds an outlet for frustration on the running team, even achieving a scholarship to a nearby university. But as he relishes escaping his father, his indulgence in his first and only beer quickly snowballs into a sudden pain pill addiction and a drug deal that ends with the murder of a policeman, landing Wes in prison for six years. To top it all off, his mother dies in a car wreck around the same time. Despite all this adversity, Wes carries on and tries to avoid the two leading rival gangs at his new home in prison: the “boys” and the “freaks.” But, poster boy for Murphy’s Law that he is, Wes soon becomes a target for rape by the “boys” and seeks refuge with their enemies, discovering that they truly are freaks: “Jesus Freaks.” Wes builds a relationship with God that seems to reverse his bad luck. In telling Wes’ tale, Smith makes it difficult for a reader to take the protagonist’s “redemption” seriously. Most of the characters are two-dimensional, either completely monstrous or saintly, and Wes’ wrong place, wrong time “crime” is much less intriguing than a true dark side. The author excels in small, contained scenes, especially Wes’ races, which are taut, suspenseful, and compulsively readable. But Smith never decides how best to approach Wes, sometimes narrating from his first-person perspective and sometimes describing him at a distance like a documentarian. The result is a disjointed character who never earns the sympathy he truly deserves.
A redemption story, with some satisfying suspense and triumph, that delivers too much unbelievable tragedy for such a fragmented central character.Pub Date: June 13, 2016
ISBN: 978-1-5127-4282-4
Page Count: 228
Publisher: Westbow Press
Review Posted Online: Sept. 30, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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