Next book

DARK HOMECOMING

Leaving behind the comic-strip leaps and blows of his nimble Ninjas (Floating City, 1994, etc.), Lustbader constructs an entire actioner set in the Miami area. No more worldwide crime cartels masterminded by Asians? Well, let's not get carried away. Yes, there is just such a cartel, but it's masterminded by Heitor and Antonio Bonita, a pair of bloody identical twins born bad. They run a cartel that deals in arms, drugs, white slavery, you name it, and they run it behind a line of front men who take the heat should the law intrude. One of the twins' specialties is dealing in human body organs that they harvest illegally in the States and airship to Central and South America. Scalpel-wielding Heitor likes to remove the organs while the ``donor'' is still alive. On their trail, meanwhile, is the Department of Justice. Although longtime Lustbader cop and hero Lewis Croaker has retired to captain a Miami charter boat, he's still a stringer for the Agency and carries a badge. Burned out and unwilling to be drawn back into the action, Croaker is facing a family crisis: His drug-addicted 15-year-old niece Rachel, now on dialysis, will be dead in five days if she doesn't receive a replacement kidney. Croaker sets out to find a donor. As it happens, fabulously smooth criminal lawyer Marcellus Rojas Diego Majeur offers him both a vintage turquoise Mustang and a kidney for Rachel if Croaker will just assassinate the dazzlingly vicious Juan Garcia Barbacena (he cuts off women's breasts in his lighter moments), the Bonita twins' greatest rival in terror. Croaker suddenly finds himself in a bafflingly strange and dangerous world: Nobody is what he (or she) seems, and even the Justice team Croaker reluctantly hooks up with is seemingly run by a very bad guy indeed. . . . Lustbader's intense flow of invention is wonderful to watch: Wild, gory, assured over-the-top entertainment throughout.

Pub Date: July 1, 1997

ISBN: 0-671-00329-1

Page Count: 368

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1997

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Next book

JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

Categories:
Close Quickview