The sixth semioccult in the Nicholas Linnear series dances between generations, summons up characters from earlier novels, and deals with time past almost like Proust. Nietzschian superman Mick Leonforte murders the brutal Vietnamese husband of gorgeous Giai Kurtz, then in a Tokyo restaurant shows Giai the black Damascus steel blade with which he dispatched her husband for her. ``Dipped in a bottle of Chateau Talbot '70, his favorite wine and vintage,'' he tells her. Yes, the East!—where life can be sped to oblivion with great style. Mick heads an American Mafia family bent on wresting control of the Japanese underworld from Mikio Okami, Kaisho of the Yakuza (The Kaisho, 1993; Floating City, 1994) and the elderly great personal friend of Nicholas Linnear, whose father, Colonel Linnear, with the US Occupation Forces back in 1946, helped Okami get the Yakuza on its feet again by establishing the black market and also came between the rival Mafia forces of the Leonfortes and the Mattaccino family. Today, Black Paul Mattaccino carries on a half-century rivalry with the Leonfortes and the Yakuza. Why did Colonel Linnear help the Yakuza? Because the underworld is the keel of Japanese society and keeps the government and big business in balance. Now, Nicholas's Japan-based Tomkin Industries is helping Japan launch the TransRim CyberNet, based on his secret cellular phone that transmits astoundingly clear pictures of the speakers, can do a half-dozen other operations, and will monopolize Japanese electronics industries. But someone has been stealing the secret CyberNet data, and Lew Croaker, the detective with a biomechanical hand, returns to help Nicholas. The rivalry between generations climaxes with its birth back in the late 40's when John Leonforte, his crushed face remade by plastic surgery, becomes Leon Waxman but is outwitted by Colonel Linnear during the blackmailing of a McCarthy-like senator. As Lustbader creates a complex, giant microchip of a story, mere human readers enjoy sunrises of sexbliss and move like deathproof titans through a plot that bounces like a pinball from Tokyo to New York to West Palm Beach. Vacation fun.
Pub Date: June 1, 1995
ISBN: 0-671-86810-1
Page Count: 464
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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