As they beg our sympathy for their white-knuckled grief, these heroines speak a rhetoric that itself must have been bounced...
As with the bloody Black Blade (1999), Lustbader again abandons his Ninja action tales to return to the fantasy and foam of his earlier Sunset Warrior cycles. Will loyal fans find this moonglow too greatly at odds with his somersaulting thrillers and perhaps not cross over?
Things open with an overstuffed prologue, adrift in orientalia (“It was Lonon, the Fifth Season—that eerie time between High Summer and Autumn when the gimnopedes swarmed; when, on clear nights, all five moons, pale green as a dove’s belly, could be seen in the vast black bowl of night”). Readers lacking photographic memory will tremble at the elaborate background Lustbader sets up even before the story begins, a vast scheme ringing echoes on a half dozen other far-world phantasmagorias galloping toward Tor to be born. So it is that Giyan and Bartta, female twins, are born and, rather than having them killed, their mother ships them off to be raised as Ramahan at the Abbey of Floating White. By age 15, the twins, devoted to phytochemistry and the Goddess Miina, are versed in the religious politics of their day: their people, the Kundalan, now in bondage to the V’ornn, will be released only when Dar Sala-at returns to fulfill the prophecy made in The Five Sacred Books of Miina, finds The Pearl and defeats the V’ornn (a mission mirroring the messianic salvation brought by Paul Atreides in Dune). Who is the Dar Sala-at? None other than Riane, a girl V’ornn (raised as the enemy, for better or worse), whose burgeoning sorcerer’s energy will bring lightning to the sky, presaging the appearance of Miina’s Sacred Five Dragons.
As they beg our sympathy for their white-knuckled grief, these heroines speak a rhetoric that itself must have been bounced off the five moons. Still, this midnight dish will leave many disembodied with rapture.Pub Date: June 1, 2001
ISBN: 0-312-87235-6
Page Count: 576
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
Scientific fiction enclosed in a frame — wanderer meets a tattooed man whose images foretell the future, leaving a space to preview the destiny of the viewer. Here is an open circuit on ideas, which range from religion, to racial questions, to the atom bomb, rocket travel (of course), literature, escape to the past, dreams and hypnotism, children and their selfish and impersonal acceptance of immediate concepts, robots, etc. Note that here the emphasis is on fiction instead of science, and that the stories — in spite of space and futurities — have some validity, even if the derivations can be traced. Sample The Veldt, or This Man, or Fire Balloons, or The Last Night In the World for the really special qualities. A book which is not limited by its special field.
Pub Date: Feb. 23, 1950
ISBN: 0062079972
Page Count: 288
Publisher: Doubleday
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: Feb. 1, 1950
Irredeemable in any world, real or virtual.
In this cyberpunk fiction debut, a massively popular online game has real-world consequences.
Ashley Akachi is a mixed-race woman who’s known as “Ashura the Terrible” to millions of fans of Infinite Game, which is watched around the world. In a near-future Florida that’s half drowned by rising sea levels, she sits inside a haptic chamber that converts her movements into gameplay in the ultraviolent competition. Former NFL player Kluwe (Beautifully Unique Sparkleponies, 2013) describes the game’s mechanics at length, at times giving the book the feel of watching someone else play a video game. (The game’s racist and misogynist online message boards also feature prominently.) Eventually, Ash uncovers a vast conspiracy involving not only Infinite Game, but also her love interest, Hamlin, who’s hiding a secret of his own. Unfortunately, there’s not enough space in this brief review to examine everything that’s obnoxious or distasteful in this novel, from its opening bullet-point infodump, lazily passed off as worldbuilding, to its eye-rolling last line. One may wonder if any women were involved in this book’s publication in any meaningful way. Only a male author could believe a woman thinks about “dicks” this often; when facing gender inequality, Ash huffs, “Must be nice to have a dick”; before castrating a would-be rapist, she scoffs, “You thought your dick made you a man? You’ll never be a man again.” Characters' attacks on Ash are all viciously gender-specific; in addition to being threatened with rape throughout, she's repeatedly called “slut,” “whore,” and “cunt.” Meanwhile, Ash herself reads like an unintentional parody of an empowered woman; she leers suggestively at a woman’s behind and then laments her small bust size, at length, before deciding “boobs are overrated.” At the book’s climax, Ash thinks that she’s “so tired of shitty men and their shitty dreams.” After reading this, readers will surely feel the same.
Irredeemable in any world, real or virtual.Pub Date: March 3, 2020
ISBN: 978-1-250-20393-9
Page Count: 352
Publisher: Tor
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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