by Erica Armstrong Dunbar ‧ RELEASE DATE: Feb. 7, 2017
A startling, well-researched slave narrative that seriously questions the intentions of our first president.
The story of a favored slave of the Washingtons who had the “impudence” to flee a life of benevolent servitude.
A runaway slave who happened to be among the household of the first president of the United States, Ona Judge Staines (1773-1848) shared her break for freedom nearly 50 years after the fact in an account in the May 1845 issue of the Granite Freeman. Dunbar (Black Studies and History/Univ. of Delaware; A Fragile Freedom: African American Women and Emancipation in the Antebellum City, 2008) unearthed an advertisement for the runaway slave and became determined to tell her story—and she tells it well. A “dower” slave—i.e., she was the property of Martha Washington’s first husband, Daniel Parke Custis—Ona was born in Mount Vernon, the product of a favored house seamstress, Betty, and a white indentured servant, Andrew Judge. At age 15, Ona, slender, fair of complexion, and a good seamstress, was chosen among the few household slaves out of hundreds to make the trek to the temporary capital of New York City, where Washington had just been sworn in as the new president of the nascent republic. She would mingle with the free blacks of the bustling city, and, later in Philadelphia, when the capital was moved there, she was responsible for over six years for Martha’s wardrobe, a role that relieved her of the drudgeries of kitchen and field work. In Philadelphia, there was a growing abolition movement, and when it was decided by the Washingtons that Ona was going to be given as a wedding present to the first lady’s objectionable granddaughter, Ona had had enough. On May 21, 1796, she slipped out of the executive mansion in Philadelphia, boarded a transport to New Hampshire (probably with help from the free black community), and started a new life there—but not without being hounded by Washington’s slave hunters.
A startling, well-researched slave narrative that seriously questions the intentions of our first president.Pub Date: Feb. 7, 2017
ISBN: 978-1-5011-2639-0
Page Count: 304
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Nov. 22, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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