An artfully crafted coming-of-age story that will take the reader on an exquisite olfactory adventure.
A young girl with a unique talent for identifying scents embarks on a journey of self-discovery when she's ripped from her intensely isolated childhood home.
Emmeline has lived with her father on an otherwise uninhabited island in the Pacific Northwest for as long as she can remember. Her father teaches her to read, to forage for food, and to hone her sense of smell. Emmeline doesn’t question their isolation, as she’s known nothing else. She adores the long days learning from her father, listening to fairy tales, and watching him use his mysterious machine. The machine produces “scent-papers” that her father stashes inside small glass bottles, each paper preserving a one-of-a-kind scent. When tragedy strikes, Emmeline is forced to relocate to the mainland. She is taken in by a kind, childless couple in a seaside village. Similar to a wild animal suddenly brought into captivity, 12-year-old Emmeline struggles to adapt. As she slowly establishes a new life, beginning school and navigating adolescence, questions about her father, her absentee mother, and her own identity continue to grow. The more she learns about her past, the harder it becomes to reconcile her childhood with her future. Told entirely from Emmeline’s perspective, the novel contains three distinct sections. The first, where Emmeline is living in the wild, is suffused with wonder and enchantment. The author deftly describes the lush island and the awe of a little girl watching her father fill a cabin with mysterious bottles full of scents and dreams. Once Emmeline moves to the mainland, the patina of her youth wears off, and much of the magic of the story goes with it. Even so, the author’s ability to describe scents, the nature in which they evolve, and how deeply they are tied to memory and emotion provides sufficient heft to keep the novel engaging and worthwhile. Told in a lyrical, haunting prose, the story provides fascinating information about the ways in which different fragrances can impact human behavior and the struggles of finding one’s own identity.
An artfully crafted coming-of-age story that will take the reader on an exquisite olfactory adventure.Pub Date: May 21, 2019
ISBN: 978-1-250-20013-6
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 4, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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