An artfully crafted coming-of-age story that will take the reader on an exquisite olfactory adventure.
A young girl with a unique talent for identifying scents embarks on a journey of self-discovery when she's ripped from her intensely isolated childhood home.
Emmeline has lived with her father on an otherwise uninhabited island in the Pacific Northwest for as long as she can remember. Her father teaches her to read, to forage for food, and to hone her sense of smell. Emmeline doesn’t question their isolation, as she’s known nothing else. She adores the long days learning from her father, listening to fairy tales, and watching him use his mysterious machine. The machine produces “scent-papers” that her father stashes inside small glass bottles, each paper preserving a one-of-a-kind scent. When tragedy strikes, Emmeline is forced to relocate to the mainland. She is taken in by a kind, childless couple in a seaside village. Similar to a wild animal suddenly brought into captivity, 12-year-old Emmeline struggles to adapt. As she slowly establishes a new life, beginning school and navigating adolescence, questions about her father, her absentee mother, and her own identity continue to grow. The more she learns about her past, the harder it becomes to reconcile her childhood with her future. Told entirely from Emmeline’s perspective, the novel contains three distinct sections. The first, where Emmeline is living in the wild, is suffused with wonder and enchantment. The author deftly describes the lush island and the awe of a little girl watching her father fill a cabin with mysterious bottles full of scents and dreams. Once Emmeline moves to the mainland, the patina of her youth wears off, and much of the magic of the story goes with it. Even so, the author’s ability to describe scents, the nature in which they evolve, and how deeply they are tied to memory and emotion provides sufficient heft to keep the novel engaging and worthwhile. Told in a lyrical, haunting prose, the story provides fascinating information about the ways in which different fragrances can impact human behavior and the struggles of finding one’s own identity.
An artfully crafted coming-of-age story that will take the reader on an exquisite olfactory adventure.Pub Date: May 21, 2019
ISBN: 978-1-250-20013-6
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 4, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.
Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
SEEN & HEARD
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