The stifling humidity of the prose will push a lot of readers out of this kitchen.
Take a batch of characters, toss them into one cooking class, glaze heavily with folk wisdom.
Lillian, the Pacific Northwest restaurant owner and teacher of the Monday night school of the book’s title, is part matchmaker, part Buddhist priest, part Alice Waters. She specializes in organic ingredients and a slow-cooking, who-needs-recipes style, an approach she perfected as a child when her dad ran off and her mother retreated into books. Cooking, for her, is a pathway to healing, and conveniently enough her latest group of students could each use some help. Among them are Chloe, a young woman who’s klutzy and in a bad relationship; Tom, who’s mourning the death of his wife; Claire, a mom who fears motherhood is erasing her identity; Ian, a computer engineer who’s incapable even of cooking a pot of rice; and Carl and Helen, an older couple who’ve gotten past a history of infidelity. Together they reminisce, vent and learn their way around crab dishes, cakes and Thanksgiving dinners, even though Lillian’s stingy about instructions and the entrees aren’t exactly beginners’ fare. Bauermeister capably evokes the sensual pleasures of a busy kitchen, but her story is thickly sentimental, all smoothed edges and earnest dialogue. For instance, one character introduces herself, ridiculously, by saying, “before you start cooking with me, I should tell you, I am losing my way, these days.” No worries: Lillian will assuredly give her and the rest of the class some direction, and Bauermeister guides each individual’s story along with a pitiless blitzkrieg of soft-focus similes and metaphors—each action and detail persistently equates to a dancing child, a happy puppy, a down comforter, a butterfly or a flower. To her credit, the author pulls off a tough trick of juggling an assortment of characters and making each feel lived-in and human. But as she inevitably guides each toward bliss, the book feels less empathetic and more hokey and melodramatic.
The stifling humidity of the prose will push a lot of readers out of this kitchen.Pub Date: Jan. 1, 2009
ISBN: 978-0-399-15543-7
Page Count: 256
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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