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THE WET NURSE’S TALE

An engaging romp propelled by Susan’s infectious voice and determined resilience.

Illegitimate pregnancies lead to a career in lactation in Chapel Hill bookseller Eisdorfer’s inventive first novel.

Victorian ladies who couldn’t or wouldn’t breast-feed their infants hired someone like Susan Rose to do it for them. Susan, one of ten children, leaves her farm family in the English village of Leighton to work as a scullery maid at the local Great House. Soon, however, her Rubenesque figure and generosity with her favors lands her in trouble. After several meetings in the pantry with the master’s son, Freddie Bonney, she leaves the Manor; unbeknownst to her employer, she is about to give birth. Furious at the prospect of one more mouth to feed, her venal, drunken father Tom is mollified when his wife, herself a retired wet nurse, finds Susan lucrative employment as live-in milk source for a succession of families in nearby Aubrey. But she can’t take baby Joey with her, and he dies after being weaned too soon. While in Aubrey, Susan has a brief affair with a Jewish dentist. When work dries up, she goes back to the Manor and resumes trysting with Freddie. Assuming (erroneously) that Freddie is the father of Susan’s second out-of-wedlock baby, Tom blackmails the Bonneys, who farm out infant Davey to their London cousin, Mrs. Norval. Insinuating herself into the Norval household as a wet nurse, Susan soon discovers that Mrs. Norval is decidedly not the maternal type; in fact, she’s psychotic. Playing on her mistress’s delusions, Susan concocts a subterfuge, too delicious to reveal here, that enables her to rescue Davey from the Bonneys’ misguided charity. Periodic set pieces illustrating reasons for surrogate suckling reflect exhaustive research but interrupt the story’s flow. Susan is such an appealing narrator and heroine, however, that readers will cheer on her quest for a true home.

An engaging romp propelled by Susan’s infectious voice and determined resilience.

Pub Date: Aug. 1, 2009

ISBN: 978-0-399-15576-5

Page Count: 272

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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