Uneven but spottily entertaining.
A debut tragicomic romance about a woman’s dark past catching up to her.
Glamorous Los Angeles lounge singer Davie Jones grew up Davidia Jones in a poor, abusive, fatherless family in small-town Mississippi. Beaten into literal silence by her prostitute mother, Davie becomes the invisible girl. When the rich Farell family comes to town, Davie falls in love with the Farell heir, James. When his sister, the cartoonishly evil Veronica, finds out, she pulls a prank that proves to be the last straw for Davie, who packs up and runs away. Years later, James and the now successful, charming and vocal Davie cross paths again, and this time, James falls madly in love with her, though the author seems better at describing their steamy sex life than their emotional connection. Veronica reappears and threatens the careful, delicate façade Davie has built for herself since high school. The more frivolous scenes are offset by some surprisingly sober moments. The verbal and physical abuse from Davie’s mother and the school bullying Davie is subjected to are potent and well rendered. Equally touching are the meaningful relationships she forms in L.A. with a truck driver-turned-savior Mama Jones and the gruff nightclub owner, Nicky—easily the most enjoyable member of the cast of characters. Davie and the story take their inspiration from the classic ’80s hit Sixteen Candles, but sometimes the parallels go too far. The narrative would have more impact if it didn’t dismiss every disturbing moment with a scene straight out of a romantic comedy. The love object, James, is as thick as cardboard and twice as boring. Davie is by turns heroic and psychotic, but the simple fact that she is a survivor is enough to keep readers rooting for her, though sometimes only barely. The pacing is steady and having the narrative jump back in time once or twice keeps the plot moving and the fairly shocking revelations coming.
Uneven but spottily entertaining.Pub Date: July 1, 2010
ISBN: 978-0-06-195784-0
Page Count: 352
Publisher: Amistad/HarperCollins
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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