Next book

THE ASHTRAY

(OR THE MAN WHO DENIED REALITY)

The book may prove illuminating for patient readers, but Morris the scorned student is not Morris the filmmaker: He makes...

America’s favorite myth-buster settles an old—and very arcane—score.

In 1972, Morris (Believing Is Seeing: Observations on the Mysteries of Photography, 2011, etc.) was nearly brained by a flying ashtray; his would-be assailant was the physicist Thomas Kuhn, author of The Structure of Scientific Revolutions. The two were at odds over James Clerk Maxwell’s theory of the displacement current, but the dispute went much deeper: whether truth is real (Morris) or relative and beholden to “paradigm shift” (Kuhn). In the years since, Morris has become the lively documentarian who obsessively follows the strange paths truth can take (The Thin Blue Line, The Fog of War, Tabloid, Wormwood et al.), and he has taken similar investigative trails in several books. Through it all, the Kuhn contretemps has apparently continued to gnaw at him; this book is his attempt at putting the matter to rest. For Morris, Kuhn’s legacy is little more than a general distrust of words and history. “For Kuhn, the meaning of words is endlessly in flux,” writes the author. “Changing your paradigm is not like changing your oil. You end up with a completely different set of meanings—except maybe you can’t know it, because the meanings are inaccessible to you.” Morris charges that Kuhn has likewise contributed to the “devaluation of scientific history” by arguing that truth isn’t so much discovered as created. The book can be tough sledding for readers a little shaky on modern trends in linguistic theory or historiography, and the constant digressions—Morris chases one rabbit after the next in footnotes stacked in the margins—can get annoying. One also senses a missed opportunity: In the era of fake news and alternative facts, the author might have made a stronger connection to the relativity of modern life.

The book may prove illuminating for patient readers, but Morris the scorned student is not Morris the filmmaker: He makes you work.

Pub Date: May 22, 2018

ISBN: 978-0-226-92268-3

Page Count: 224

Publisher: Univ. of Chicago

Review Posted Online: Jan. 7, 2018

Kirkus Reviews Issue: March 1, 2018

Next book

HOW DEMOCRACIES DIE

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics,...

A provocative analysis of the parallels between Donald Trump’s ascent and the fall of other democracies.

Following the last presidential election, Levitsky (Transforming Labor-Based Parties in Latin America, 2003, etc.) and Ziblatt (Conservative Parties and the Birth of Democracy, 2017, etc.), both professors of government at Harvard, wrote an op-ed column titled, “Is Donald Trump a Threat to Democracy?” The answer here is a resounding yes, though, as in that column, the authors underscore their belief that the crisis extends well beyond the power won by an outsider whom they consider a demagogue and a liar. “Donald Trump may have accelerated the process, but he didn’t cause it,” they write of the politics-as-warfare mentality. “The weakening of our democratic norms is rooted in extreme partisan polarization—one that extends beyond policy differences into an existential conflict over race and culture.” The authors fault the Republican establishment for failing to stand up to Trump, even if that meant electing his opponent, and they seem almost wistfully nostalgic for the days when power brokers in smoke-filled rooms kept candidacies restricted to a club whose members knew how to play by the rules. Those supporting the candidacy of Bernie Sanders might take as much issue with their prescriptions as Trump followers will. However, the comparisons they draw to how democratic populism paved the way toward tyranny in Peru, Venezuela, Chile, and elsewhere are chilling. Among the warning signs they highlight are the Republican Senate’s refusal to consider Barack Obama’s Supreme Court nominee as well as Trump’s demonization of political opponents, minorities, and the media. As disturbing as they find the dismantling of Democratic safeguards, Levitsky and Ziblatt suggest that “a broad opposition coalition would have important benefits,” though such a coalition would strike some as a move to the center, a return to politics as usual, and even a pragmatic betrayal of principles.

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics, rather than in the consensus it is not likely to build.

Pub Date: Jan. 16, 2018

ISBN: 978-1-5247-6293-3

Page Count: 320

Publisher: Crown

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

Next book

THE ROAD TO CHARACTER

The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.

New York Times columnist Brooks (The Social Animal: The Hidden Sources of Love, Character and Achievement, 2011, etc.) returns with another volume that walks the thin line between self-help and cultural criticism.

Sandwiched between his introduction and conclusion are eight chapters that profile exemplars (Samuel Johnson and Michel de Montaigne are textual roommates) whose lives can, in Brooks’ view, show us the light. Given the author’s conservative bent in his column, readers may be surprised to discover that his cast includes some notable leftists, including Frances Perkins, Dorothy Day, and A. Philip Randolph. (Also included are Gens. Eisenhower and Marshall, Augustine, and George Eliot.) Throughout the book, Brooks’ pattern is fairly consistent: he sketches each individual’s life, highlighting struggles won and weaknesses overcome (or not), and extracts lessons for the rest of us. In general, he celebrates hard work, humility, self-effacement, and devotion to a true vocation. Early in his text, he adapts the “Adam I and Adam II” construction from the work of Rabbi Joseph Soloveitchik, Adam I being the more external, career-driven human, Adam II the one who “wants to have a serene inner character.” At times, this veers near the Devil Bugs Bunny and Angel Bugs that sit on the cartoon character’s shoulders at critical moments. Brooks liberally seasons the narrative with many allusions to history, philosophy, and literature. Viktor Frankl, Edgar Allan Poe, Paul Tillich, William and Henry James, Matthew Arnold, Virginia Woolf—these are but a few who pop up. Although Brooks goes after the selfie generation, he does so in a fairly nuanced way, noting that it was really the World War II Greatest Generation who started the ball rolling. He is careful to emphasize that no one—even those he profiles—is anywhere near flawless.

The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.

Pub Date: April 21, 2015

ISBN: 978-0-8129-9325-7

Page Count: 320

Publisher: Random House

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

Close Quickview